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CAFÉ BUDAPEST

A heart-rending, pellucid story of wartime survival.

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A Jewish refugee family arrives in 1939 Paris after a series of hairbreadth escapes in this sequel historical novel.

On the run from Nazis in Prague, the physically and psychologically traumatized Kohut family has arrived safely in the City of Light, just in time for France’s entry into World War II. In this follow-up to his semiautobiographical debut novel, The Dragontail Buttonhole (2016), Curtis picks up the story of Sophie and her husband, Willie, a displaced clothier, and their infant son, Pavel, exactly where the last installment left them. Sophie is traumatized but unbroken, young Pavel is hungry, and Willie faces the challenge of reuniting with his mother and father in England while dealing with “a crushed finger, a slashed chest and empty pockets.” Booted from their fleabag hotel by its Nazi-sympathizer owner, the Kohuts soon find that their mere presence in France is illegal: if they’re discovered, Sophie and Pavel will be sent to a refugee camp and Willie to prison. While in Paris, they survive on a couple of pawned gold coins and the occasional half-truth; in Germany, Willie had learned that “deception was an essential skill for refugees on the run.” As Sophie finds a surrogate family at the Café Budapest, Willy volunteers for France’s army of Czech exiles and does his best to contend with the “rough, vulgar camaraderie” of the ragtag recruits. Both main characters suffer unexpected joys and real dangers in their travails—including an especially sticky moment involving Pablo Picasso. The story becomes even more emotionally heightened and complex when Willy and Sophie learn of a particular man from their past in their midst. As in Curtis’ last novel, there’s a poignant and arresting precision in the descriptions that make events from 80 years in the past feel immediate: “Even the taxis-bicyclettes that carried two passengers with a child on their lap charged the equivalent of ten fresh eggs.” Indeed, there’s not a wasted word to be found in the smoothly paced text. Readers will also find themselves absorbed by the book’s gradually building suspense as the characters experience both good fortune and jeopardy.

A heart-rending, pellucid story of wartime survival.

Pub Date: April 2, 2018

ISBN: 978-0-9993631-2-6

Page Count: 444

Publisher: CreateSpace

Review Posted Online: Jan. 1, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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