by Peter Eisner ‧ RELEASE DATE: March 1, 2013
An exciting reminder of how Vatican machinations continue to haunt history.
The story of the race to compose a last top-secret encyclical against Nazi racism before the death of Pope Pius XI.
Notwithstanding the spate of current works on the tragic shortcomings of Pius XII during World War II, journalist and producer Eisner (The Freedom Line: The Brave Men and Women Who Rescued Allied Airmen from the Nazis During World War II, 2004, etc.) refocuses the spotlight in this relevant study on his predecessor, who did speak out against anti-Semitism and the threat of Nazism—though he was silenced by an untimely death in 1939. Pius XI, an activist pope since 1922 under whom the Vatican ultimately became an independent city-state achieving political and financial stability, had been deeply moved by an American Jesuit priest’s 1937 book Interracial Justice, about his work among poor Maryland blacks, and summoned the author, Rev. John LaFarge, to the Vatican in 1938. In his 80s, Pius XI had a serious heart condition, yet the growing Nazi menace demanded action: The year before, Pius had issued an important encyclical, With Deep Anxiety, slamming the Nazis for racist policies and oppression of Catholics; now, aware he was on death’s door, Pius was determined to go further in a new message he urged LaFarge to write swiftly and in secret. Eisner traces LaFarge’s work in Paris over the summer of 1938 and his missteps in confiding in the pope’s Superior General Ledochowski as a go-between, a shadowy figure who allowed the document to languish while the pope grew more ill. Ledochowski, like the pope’s secretary of state Cardinal Pacelli (the future Pius XII), believed that the pope was imbalanced and that communism (and Jews) was the menace, not Nazism. Eisner closes with excerpts from LaFarge’s powerful encyclical and the chilling suggestion of what might have been the outcome had it been published.
An exciting reminder of how Vatican machinations continue to haunt history.Pub Date: March 1, 2013
ISBN: 978-0-06-204914-8
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 25, 2012
Kirkus Reviews Issue: Dec. 15, 2012
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by Peter Eisner
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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