THE GUIDE

A fishing adventure turns dark as night.

Fisherman’s noir isn’t a genre, but maybe it should be. The high-end Colorado resort at the heart of this soulful mystery offers some of the best angling in the country, with waters seemingly carved out of Eden. It's a nice getaway from the persistent strains of Covid-19. But something’s not right. The neighbor upstream likes to shoot at visitors who get too close to his property. Guests disappear for stretches at a time and return acting as if they’re survived a horrible trauma. And the manager seems to have a fast-and-loose relationship with the truth. The new guide, a grief-stricken 25-year-old named Jack, happens to be a keen observer with an eye for the out of the ordinary. He also happens to be falling in love with Alison K., the famous but effortlessly earthy singer he's been assigned to guide through a week of good fishing. This is an unconventional mystery, an unconventional romance, and an unconventional adventure, creepy and spiritual in equal measure. Jack has a thing for eighth-century Chinese poetry. He describes one of his favorite poets as “an aficionado of loss and also of nature, which Jack could relate to.” Jack has lost both his mother and his best friend, and he blames himself for both deaths. He escapes through reading and fishing. But this is no escape, unless you’re the reader. The author clearly knows his way around a river; the long, descriptive passages create a vivid sense of place and action even if they may puzzle those of us who don’t know a mayfly from a riffle. By the time Jack and Alison encounter a young woman running down the road in a hospital gown in a scene right out of the sinister noir Kiss Me Deadly, they’re in too deep, and they’re too curious, to quit the dangerous puzzle before them. You might feel the same.

There's danger at the end of the line in this unconventional mystery.