The human side of China’s great transformation, told with humor, affection and great insight.
On the road in China with New Yorker staff writer Hessler (Oracle Bones: A Journey Between China’s Past and Present, 2006, etc.), as he explores the remnants of its dying rural past and its booming, uncertain urban future.
The author received his Chinese driver’s license in 2001 and set off on a 7,000-mile journey following the twists and turns of the Great Wall. In a rented car and armed only with junk food and Chinese road maps of questionable accuracy, he explored the great expanses of China’s north and northwest, areas largely left behind in the country’s surge of economic development. In villages as ancient as the Wall itself, few except the very old and the very young remained, the rest having escaped to the cities and the promise of work. “To drive across China,” he writes, “was to find yourself in the middle of the largest migration in human history—nearly one-tenth of the population was on the road, finding new lives away from home.” One village north of Beijing seemed also bound for extinction, but the appearance of paved roads, a boom in private-car sales and an urban longing for a glimpse of rustic rural life revived the village and the fortunes of Wei Ziqi and his family. Hessler follows Wei’s rise as a village entrepreneur and Party leader and discovers what is possible and what may be lost as poor Chinese villages become tourist hotspots. Finally, the author traveled southern China, where the construction of new roads has enabled the rise of industrial boom towns to which rural migrants continue to flock. He traces the fate of the owners and workers of a factory that makes rings for bras. All of them illiterate peasants, Hessler writes of their dreams and courage in making a better life within a “no-holds-barred version of capitalism.” Though he befriends his subjects, the author never intrudes in their stories, and he follows their lives over a number of years. The result is a remarkably detailed, engrossing account of China today.
The human side of China’s great transformation, told with humor, affection and great insight.Pub Date: Feb. 9, 2010
ISBN: 978-0-06-180409-0
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2009
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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