The human side of China’s great transformation, told with humor, affection and great insight.
On the road in China with New Yorker staff writer Hessler (Oracle Bones: A Journey Between China’s Past and Present, 2006, etc.), as he explores the remnants of its dying rural past and its booming, uncertain urban future.
The author received his Chinese driver’s license in 2001 and set off on a 7,000-mile journey following the twists and turns of the Great Wall. In a rented car and armed only with junk food and Chinese road maps of questionable accuracy, he explored the great expanses of China’s north and northwest, areas largely left behind in the country’s surge of economic development. In villages as ancient as the Wall itself, few except the very old and the very young remained, the rest having escaped to the cities and the promise of work. “To drive across China,” he writes, “was to find yourself in the middle of the largest migration in human history—nearly one-tenth of the population was on the road, finding new lives away from home.” One village north of Beijing seemed also bound for extinction, but the appearance of paved roads, a boom in private-car sales and an urban longing for a glimpse of rustic rural life revived the village and the fortunes of Wei Ziqi and his family. Hessler follows Wei’s rise as a village entrepreneur and Party leader and discovers what is possible and what may be lost as poor Chinese villages become tourist hotspots. Finally, the author traveled southern China, where the construction of new roads has enabled the rise of industrial boom towns to which rural migrants continue to flock. He traces the fate of the owners and workers of a factory that makes rings for bras. All of them illiterate peasants, Hessler writes of their dreams and courage in making a better life within a “no-holds-barred version of capitalism.” Though he befriends his subjects, the author never intrudes in their stories, and he follows their lives over a number of years. The result is a remarkably detailed, engrossing account of China today.
The human side of China’s great transformation, told with humor, affection and great insight.Pub Date: Feb. 9, 2010
ISBN: 978-0-06-180409-0
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2009
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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