Danish novelist Heg's first English-language publication is an attempt to freeze out Gorky Park by moving from an intimate mystery to an ever-widening circle of corruption and danger—and to even colder climes. Surly Inuit/Greenlander Smilla Jaspersen is a world-class expert on ice and snow who, since emigrating to Denmark, has gone on nine scientific expeditions to her homeland and published half a dozen highly regarded papers in scholarly journals—but she still can't hold a steady job. When Isaiah Christensen, her six-year-old downstairs neighbor with a long-standing fear of heights, plunges from the roof of the White Palace, their apartment building, Smilla presses for a police inquiry; but instead of a homicide detective, the police send an investigator from the fraud division. Why? Also, why did somebody perform a muscle biopsy on Isaiah after he died? What was he doing on that roof in the first place? And what does his death have to do with his father's death on an expedition to Greenland two years before—a death that, Smilla learns from extravagantly pious accountant Elsa LÅbing, was recompensed by a full, unearned pension by the Cryolite Corporation? With the help of another neighbor, dyslexic mechanic Peter Fjl, Smilla follows a trail from the White Palace through the Cryolite records of a fateful (and fatal) 1966 expedition, and ends up aboard the Kronos, a smuggling ship stuffed with drugs and desperate characters and bound for Greenland's Barren Glacier and a truly unimaginable cargo. Smilla, a wonderfully tough-talking amateur sleuth, gets out past her depth aboard the Kronos when her shipmates keep trying to toss her overboard. But her combination of brisk misanthropy and shrewd commentary on the colonial exploitation of Greenland—yes, this is a postcolonial novel about the Arctic—could score big. (First printing of 40,000)
Pub Date: Sept. 1, 1993
ISBN: 0-374-26644-1
Page Count: 456
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1993
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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