by Peter Huchthausen ‧ RELEASE DATE: Aug. 1, 2003
Cliffs Notes for interventionists.
America: the world’s policeman—and, as depicted here, an equal mix of Dirty Harry and Barney Fife.
No sooner had American helicopters cleared the rooftops of Saigon than a band of Khmer Rouge boarded the USS Mayaguez off the coast of Cambodia, capturing its crew and throwing still another crisis at the Ford administration. Though still smarting from defeat in Vietnam, writes retired naval officer Huchthausen (Hostile Waters, 1997, etc.), the contingency planners at the Pentagon swung into action, launching a combined assault of soldiers, marines, sailors, and aviators at the surprised kidnappers, who released their captives and disappeared into the jungle. Thus it would be for the next quarter-century, though with a few surprises gumming up the works, as when the Somali warlord Muhammad Aidid divined that downing a Black Hawk helicopter would draw such rescuers “into a location of his choosing where he could concentrate a massive number of his rabble in arms and gain a major victory against the Americans.” With a few qualified exceptions, Huchthausen writes approvingly of American intervention around the world, caressing the details of such coups as Grenada, “a job done at the right time, though in haste,” and Panama, which proved, at least to the brass, the virtues of both surprise and the use of massive firepower against enemies who could not hope to respond in kind. (Think of Iraq in 2003, which lies just beyond the author’s scope here.) Huchthausen offers useful remarks on strategy and a pointed critique of the dangers of “employing civilian management techniques” in military operations, as with the failed attempt to rescue American hostages in Iran in 1980. Still, it’s a too-shallow treatment of complex events, far less satisfying than Max Boot’s more ambitious and more capable Savage Wars of Peace (2002), which covers much the same ground.
Cliffs Notes for interventionists.Pub Date: Aug. 1, 2003
ISBN: 0-670-03232-8
Page Count: 304
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2003
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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