If James already hadn't published three novels (Sweet Heart, 1991; Dreamer, 1990; Possession, 1988), you might think that Robin Cook was the pseudonymous author of this feverish mix of medical terror and occult thrills. Like Cook, James pits a feisty young heroine—journalist Kate Hemingway—against a diabolical medical plot: An attempt by British anesthesiologist Harvey Swire to confirm the existence of life after death by plunging patients into a state of clinical death, then reviving them and questioning them about their out-of-body experiences during ``death.'' As in Cook, much of this consistently antic action takes place in a hospital: At one point, Kate lies helpless on an operating table as Swire gets to work. And earlier on, she spends time nestled next to a frozen corpse, another favorite Cook ploy. But there's much otherworldly weirdness here as well, beginning in the opening flashbacks, which find budding psychopath Swire being hit by a car, dying and returning to life, then developing the ability to separate from his body at will—a power he uses to spy on and rape his cheating girlfriend. Years later, Kate stumbles onto Swire's trail while digging into the case of a woman (a Swire victim) buried alive—as evidenced in a ghastly exhumation scene. Swire and his funeral-parlor henchmen cover up the error by switching bodies, but Kate sees through the ruse (by breaking into the funeral parlor, where she endures her tryst with the frozen corpse), and she pursues the mad doctor—despite being warned off by her dead brother during a sÇance—right into Swire's underground lair, where he rushes at her, hypodermic in hand.... As silly as they come, with an especially cartoonish villain, but James meshes scalpels and spiritualism nicely, and offers some good scares along the way.
Pub Date: March 25, 1993
ISBN: 0-312-08914-7
Page Count: 320
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 1993
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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