by Peter L. Bernstein ‧ RELEASE DATE: Jan. 1, 2005
One corner of the great American panorama enlarged to highlight its starry-eyed visionaries, political machinations,...
Crisp, insightful history of the canal that transformed New York into the Empire State and the US into an economic powerhouse.
Stretching 363 miles from Buffalo on Lake Erie to Albany on the Hudson River, the Erie Canal was the technological marvel of its age. Its celebrated opening in 1825 culminated a century of effort by dreamers, tinkerers, merchants, and politicians who sought to build an artificial waterway linking the trans-Appalachian region to the Atlantic seaboard. Bernstein (The Power of Gold, 2000, etc.) deftly lays out those efforts. In the young republic, canal-building often failed. George Washington’s attempt to create one along the Potomac River, for instance, was a financial disaster, later prompting Thomas Jefferson to dismiss the idea of a canal to the west as “little short of madness.” It took brilliant, hard-nosed New York governor DeWitt Clinton to push the Erie Canal through a thicket of obstacles, including lack of financial assistance by the federal government or any sister state, the War of 1812, and nine years of stalemate in the state legislature. Bernstein also pays full tribute to lesser-known managers and often-anonymous workers who improvised methods of hacking the canal’s path through the wilderness. Two project engineers, Benjamin Wright and James Geddes, had been judges and surveyors before assuming their posts, but went on to eminent careers in their new field. Financing the canal proved equally novel, with New York State selling bonds to the public at large and even to foreign financial markets. Along with the canal’s well-known effects on the state and national economy (e.g., reducing the trip from Albany to Buffalo from 32 days to 5), Bernstein also highlights its social impact and larger national implications as the Midwest became tied to the free North rather than the slaveholding South in a vast commercial network.
One corner of the great American panorama enlarged to highlight its starry-eyed visionaries, political machinations, indefatigable ingenuity, and cockeyed optimism. (20 line drawings, not seen)Pub Date: Jan. 1, 2005
ISBN: 0-393-05233-8
Page Count: 352
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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