by Peter LaSalle ‧ RELEASE DATE: Dec. 15, 2015
An up-and-down collection of essays on what a fiction writer does when he isn’t writing fiction.
A collection of what could be called literary travel criticism.
A professor of creative writing with an eclectic publishing career, LaSalle (What I Found Out About Her, 2014, etc.) has been anthologized as a travel writer (a piece from The Best Travel Writing 2010 concludes this volume) and earned praise for his award-winning fiction. Here, he explores terrain where his writing paths intersect, “traveling to a place where a document of literature I love is set and rereading the book there, to see what happens.” Written and originally published over a span of four decades, these essays find him contemplating Nathanael West in Los Angeles, experiencing the metaphysics of Borges in Buenos Aires, celebrating an obscure (in this country) Flaubert novel in Tunisia, following the alcohol-soaked ghost of Malcolm Lowry to Mexico. At one point he admits, “to be really frank, I am lost in a moment of wondering what the hell I am even doing on this trip, dodging some personal obligations back home and abandoning my writing for a few weeks; I know I’ve always used travel as a way to escape responsibility.” Yet he often obsesses over the courses he isn’t teaching and the fiction he isn’t writing while visiting locales far from his professional base of Austin, Texas, and his native Narragansett, Rhode Island. While establishing a bond, even an intimacy, with readers, he projects an air of superiority in his attitude toward better-known writers (“Richard Ford, a predictable writer who many critics tend to take too seriously”), fellow academics, younger females, and the “decidedly not-funny” Jimmy Kimmel. LaSalle exalts “the Flaubertian obsession of elevating prose itself to something close to sacred, the creation of it a visionary, semi-religious experience.” These are travel pieces (with the title essay the slightest), but they use travel mainly as a portal to literary celebration.
An up-and-down collection of essays on what a fiction writer does when he isn’t writing fiction.Pub Date: Dec. 15, 2015
ISBN: 978-1-938103-20-9
Page Count: 276
Publisher: Dzanc
Review Posted Online: Sept. 2, 2015
Kirkus Reviews Issue: Sept. 15, 2015
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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