An instant replay of the trial of four suburban New Jersey high school athletes who sexually assaulted a retarded girl with a bat and broom. Laufer (Nightmare Abroad: Stories of Americans Imprisoned in Foreign Lands, 1993) quotes long stretches of the court record as he presents the Glen Ridge case in all of its made-for-TV depravity: the pathetically malleable victim, incapable of saying no; the rich, handsome football heroes who conspired to torture her; the sleazy, inept defense attorney who actually argued that ``boys will be boys.'' Laufer knows how to keep the reader riveted to the courtroom drama, although he overdoes the you-are-there verisimilitude (`` `Please bring the jury out,' ordered Judge Cohen''). But the book suffers from his tendency to substitute dead-end moral judgments for legal analysis: The ``Glen Ridge story...is certainly about consent [but] mostly it is about four evil, misguided criminals.'' Interviews with some trial observers and participants yield more subtle insights, but Laufer has a way- -ironic in this context—of merely quoting their sometimes rambling thoughts while confining his own analysis to their physical appearance. For example, he undercuts a NOW organizer's critique of the case with comments about her makeup and jewelry, and he describes a female prosecutor who grants him a post-trial interview as ``periodically pull[ing] on the hem of her long dress as it rides up her leg, exposing her slip.'' One of the most challenging questions of the case—whether the ``Glen Ridge rapists would be serving long prison sentences if they were not rich white kids''— is raised but barely pursued. Best for the brisk editing of a shocking court transcript; otherwise, superficial and melodramatic. Court TV does it better.
Pub Date: May 16, 1994
ISBN: 1-56279-059-5
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1994
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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