Slouching toward Los Angeles on an alternately pleasant and frustrating detour-filled highway.
A kaleidoscopic view of Los Angeles that looks beyond stereotypes of “freeways, sprawl, movie stars, and New Age nonsense.”
Lunenfeld, a native New Yorker who is now a professor of design media arts at UCLA, pens a valentine to his adopted city, where he moved to attend graduate school. Erudite and fact-packed but self-indulgent and inefficiently organized, his book rests on the conceit that LA has moved through interlocking phases corresponding to the five elements of alchemy—“from earth to fire to air to water” and the more elusive “aether” or “the quintessence.” That framework gives Lunenfeld ample and welcome room to cover often overlooked topics such as the city’s once-powerful aerospace industry and the ports of LA and Long Beach, whose waters are “the largest and busiest in the United States.” Throughout, the author forges many offbeat connections. He links, among others, Walt Disney and Hugh Hefner (both of whom let people enter a “dreamscape” and interact with its denizens, Mickey at Disneyland and the bunnies at Playboy clubs) and two married couples who blazed trails as they combined work and love: midcentury-modern designers Charles and Ray Eames and the authors Will and Arial Durant. Lunenfeld’s “alchemical” stages overlap and progress in nonlinear ways, which leads to continual jump-cuts back and forth in time, place, and theme, an approach that can be disorienting. The text sometimes devolves into tourist-board prose: No other metropolitan area, writes the author, “can boast of the presence of two presidential libraries,” Nixon’s and Reagan’s. Unlike Joan Didion—that austere, minimalist bard of California—Lunenfeld is a maximalist who overstuffs his argument that LA triumphed through “its ramp-up of the arts, architecture, design, cuisines, music, theater, and literary cultures, not to mention technical and scientific accomplishments, at a speed and with a reach unprecedented in human history.” He makes a strong case for the city’s exceptionalism, but via a route that requires the patience of navigating the LA freeways.
Slouching toward Los Angeles on an alternately pleasant and frustrating detour-filled highway.Pub Date: Aug. 11, 2020
ISBN: 978-0-525-56193-4
Page Count: 336
Publisher: Viking
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 15, 2020
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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