by Peter Mann ‧ RELEASE DATE: Jan. 11, 2022
A wily spy novel with a human touch.
An Irish double agent and his German handler form an unlikely bond in 1940s Berlin.
When ex–Irish resistance fighter Proinnsias “Frank” Pike is liberated from a Spanish prison in 1940 by German intelligence operative Adrian de Groot, aka Johann Grotius, the ill-matched duo are launched on a daring series of exploits inside Nazi Germany. Debut novelist Mann seamlessly intertwines two narratives—de Groot’s candid journal and a third-person account of Pike’s escapades entitled “Finn McCool in the Bowels of Teutonia” (his alter ego is a well-known hunter/warrior figure in Irish mythology)—to describe some of the same events from their wildly differing perspectives. De Groot, a philologist and translator and the titular torqued man (another sly nod to Irish myth), recruits Pike to engage in missions intended to turn Ireland’s ancient antipathy to England into full-fledged support for Hitler’s regime, but the Germans are a step behind the English, who intend to take advantage of Pike’s presence in the heart of the Reich’s war machine to thwart these schemes and serve their own ends. Once Pike, whose “man of action” bravado and “gregarious and libidinous personality” contrast sharply with de Groot’s intellectual diffidence, is transported to the heart of Berlin, he embarks on a devilishly clever “assassination-and-mayhem campaign” designed to decimate the upper ranks of the German medical profession, with the goal of eventually eliminating Hitler himself. More suited to scholarship than spycraft, de Groot finds that his attempts to bring order to the “perpetual misadventure that life with Pike would come to entail” are complicated by an intense personal affection for his charge. Mann’s brisk and well-constructed plot is enhanced by equally impressive prose that succeeds in making the inner lives of his principal characters as engaging as Pike’s often hair-raising (if occasionally ill-conceived) deeds.
A wily spy novel with a human touch.Pub Date: Jan. 11, 2022
ISBN: 978-0-06-307-210-7
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
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by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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BOOK TO SCREEN
by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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