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THE APPARITIONISTS

A TALE OF PHANTOMS, FRAUD, PHOTOGRAPHY, AND THE MAN WHO CAPTURED LINCOLN'S GHOST

A well-paced nonfiction work that reads more like a historical novel than an academic study.

The tale of a provocative controversy and court trial from the formative era of photography.

Written like a novel but researched with academic rigor, this account of a photographer whose work seemed to incorporate images from the spirit realm stops short of either endorsing the veracity of the photographer’s claim or debunking his work as a scam. What Manseau (One Nation, Under Gods: A New American History, 2015), the curator of American Religious History at the Smithsonian, demonstrates is that William Mumler (1832-1884) was perhaps as mystified as his skeptics in his emergence as a “spirit photographer” whose photographs of a living subject might show a deceased relation hovering somewhere in the print. Court transcripts show that Mumler’s subjects mostly believed in the legitimacy of the apparitions in his work and that none of the photographers who attempted to expose his trickery were able to do so. Yet the narrative is less an argument in favor of a miracle than an evocation of an era “shaped by war, belief, new technology, and a longing for connections across ever greater distances—a time not unlike our own.” It was a time when the telegraph offered instantaneous communication across oceans and “transformed nearly every aspect of American life, and perhaps none more so than the press.” It was also a time when electricity demonstrated the very real power of things unseen. If communication could become instantaneous across thousands of miles, why couldn’t the emerging field of photography close the distance between the living and the dead? For this was also an era, even before the Civil War, when the country “was suffering a spiritual hangover,” in which spiritualism and mediums who claimed to communicate with the dead were perceived as a threat to conventional Christianity. Thus the trial not only focused on the possibilities and limits of the emerging photographic technology, but on whether it was possible to reconcile such apparitions with the Bible.

A well-paced nonfiction work that reads more like a historical novel than an academic study.

Pub Date: Oct. 10, 2017

ISBN: 978-0-544-74597-1

Page Count: 352

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Aug. 6, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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