by Peter Moore ‧ RELEASE DATE: Sept. 1, 2002
Smaller than most seventh graders, not cool, not interested and not achieving, Kirk is a junior who writes poetry during class and heads for the library to work at shelving books after school. A major reader, he thinks of himself as an observer, not a participant. Kirk and his mother have settled into a dull routine that allows his mother to work as a waitress and go drinking with her sleazy boyfriend whenever she likes, while Kirk takes care of himself. A pregnant woman at the library offers Kirk her job reading for a blind woman about the same time that Glenn, another lackadaisical student discovers that Kirk’s lyrics might go great with his guitar music. These lyrics interspersed as poems reveal Kirk’s verbal acuity and insight. Slowly, Kirk becomes drawn into a community of friends and connects with “Parole Girl” in his first foray into a sexual experience, all the time continuing his connection with Callie, who became blind in the same accident that killed her parents. All the typical teen-angst elements are here: drugs, sex, rock n’roll, guidance counselor contracts, and (when Mom takes off for California) the absentee parent. Fortunately, the vividness, wry humor, and believability of the dialogue, plus the emotional roller coaster that Kirk experiences, rescues readers. Things do not go according to plan and the unpredictability turns stock characters into believable people, including surprisingly, both Callie and Mom. Unexpectedly engaging. (Fiction. YA)
Pub Date: Sept. 1, 2002
ISBN: 0-670-03543-2
Page Count: 272
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
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The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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SEEN & HEARD
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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