A prospectively important work that misses its mark.
An exploration of a small German town that was a hothouse of art and thought until Napoleon’s army ended its few years as the epicenter of central European culture.
Looking back at 1799, Neumann accurately terms Jena “essentially the intellectual and cultural center of Germany.” (Think 18th-century Edinburgh, Vienna and Paris almost always, and Black Mountain College and Greenwich Village after World War II.) Neumann, a poet and philosopher who studied in Jena, focuses on the major figures who lived there in the few years before the battle that forced many of its residents to flee. They included poet and playwright Friedrich Schiller, philosopher Friedrich Schelling, poet Novalis, philosopher Johann Fichte, and the multitalented brothers Friedrich and August Wilhelm Schlegel. Other transcendently important men, including Goethe and Hegel, played important subsidiary parts, and wives and lovers were never absent from the scene. Neumann paints a broad portrait of a group of luminaries at argument, work, play, and love until the French forces’ decisive rout of German arms to put an end to the city’s brief time in the sun. The author relates this intriguing human story in a kind of informal, novelistic style, an approach that doesn’t fit the subject. In a tale centered on a few people who made profound contributions to Western culture, Neumann offers little about the works they produced or the significance and influence of their thought, fiction, poetry, and plays. There’s nothing wrong with portraying such people’s lives. But if they’re shown principally as squabbling, striving, ego-threatened, love-needy—that is, normal—humans whose often epochal achievements remain in the background, we might as well read about fictional characters. Lost in the book’s pages is consideration of the relationship, if any, between what these men wrote and the lives they lived. Readers, told of the leading figures’ significance, need more direct acquaintance with what they’re significant for.
A prospectively important work that misses its mark.Pub Date: Feb. 15, 2022
ISBN: 978-0-374-17869-7
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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