Pithy and evocative.
Orner packs memorable characters—and occasionally some plot as well—into an exceptionally small space.
The stories here range from the ultrashort (a single paragraph) to the merely moderately short (a few pages), and with more than 40 stories coming in at around 200 pages, many of them feel more like snippets or vignettes than fleshed-out narratives. The opening story, “Foley’s Pond,” introduces us to Nate Zamost, who missed a week of school when his sister, 2 1/2, drowned in the pond. On his return, Nate’s friends try to cheer him up, though Nate makes them realize that he’s the one who had taught his sister to crawl under the fence protecting the pond. In “Horace and Josephine,” we meet the quirky title characters, aunt and uncle of the narrator. Josephine’s welcome habit of dispensing $50 bills to her nephews is tempered by the fact that Horace earns his money through a Ponzi scheme, and although both are eventually disgraced, they’re not willing to abandon their personal flamboyance. “The Poet,” the shortest story in the collection, presents a poet who’s recently had a stroke and who’s sadly “trotted...out [as] a novelty act” to stumble through his poems on the podium. “Geraldo, 1986” takes us back to Geraldo Rivera’s infamous, and embarrassing, attempt to pump up the discovery of Al Capone’s “lost vault” at the Lexington Hotel into the new King Tut’s tomb. Throughout the stories, Orner shows himself to be a master of the pithy phrase. A couple moves to South Dakota, for example, leaving the narrator to wonder “what heinous crime they must have committed in some other life to deserve exile in this moonscape among the earnest corn-fed.”
Pithy and evocative.Pub Date: Aug. 6, 2013
ISBN: 978-0-316-22464-2
Page Count: 208
Publisher: Little, Brown
Review Posted Online: June 8, 2013
Kirkus Reviews Issue: June 15, 2013
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
