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ISHERWOOD

A LIFE REVEALED

Way too much information on the love life, but an essential resource for coming to terms with a key figure in the Auden...

A life of writer/memoirist Isherwood that emulates its subject’s detachment but hardly his conciseness.

Best known for Berlin Stories, the basis for the Broadway play I Am a Camera and for the even more successful musical Cabaret, Isherwood (1904–86) deserves recognition for a wider body of work, argues Parker, a British historian and biographer (The Old Lie: The Great War and the Public School Ethos, not reviewed). Scion of landed gentry and son of a soldier killed in WWI, Isherwood, in early adulthood, embraced left-wing politics, pacifism, atheism, and homosexuality. In the 1930s, he achieved fame as arguably England’s most promising novelist and as collaborator with ex-schoolmate and sometime lover W.H. Auden on the plays The Dog Beneath the Skin and The Ascent of F6. His life later included a controversial move to America, with Auden, in 1939; a surprising conversion to Hinduism and brief commitment as a monk in the 1940s; thirty years as a Hollywood screenwriter; and lionization as “favorite uncle” to the post-Stonewall generation of gay authors that included Armistead Maupin and Edmund White. Access to Isherwood’s longtime companion Don Bechardy and friend Stephen Spender, as well as to the novelist’s astonishing collection of diaries and letters, enables Parker to pull back the curtain on a writer who on the surface was utterly candid. Charming, witty, and generous, Isherwood could also be narcissistic, bossy, drunken, and, most shockingly, anti-Semitic. Parker points to memoirs, further, that not only altered details but also faked or censored diary entries. Unfortunately, although he has bravely plunged into the forest of Isherwood documentation, Parker sometimes loses his way through sheer inclusiveness, citing his subject’s every quarrel and patch-up with his widowed mother, troubled brother, and lovers (an estimated 400 by age 44).

Way too much information on the love life, but an essential resource for coming to terms with a key figure in the Auden circle. (16-page photo insert, not seen)

Pub Date: Dec. 14, 2004

ISBN: 1-4000-6249-7

Page Count: 1024

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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