I MISS YOU, I MISS YOU!

The sudden death of her twin leaves a teenager struggling with grief and her fragile sense of self in this absorbing, inwardly focused import from Sweden, part fiction, part memoir. So close are the sisters that after Cilla is killed by a motorist Tina can still hear her voice, still see her just by looking in a mirror, still hold conversations; she even finds herself taking on some of Cilla’s character traits, seeking an inner balance that she has lost. Able to describe her experiences only by switching back and forth between third person and first, Tina observes the different ways those around her grieve, and finds temporary solace in many places: reading and writing poetry, performing on stage, playing her violin, trying a brief but intense fling at summer camp, even talking to a perceptive psychologist—but unlike many such stories, there is never any sense here that the authors are running through a catalog of coping strategies, or offering trite platitudes. A year later, Tina discovers that, in forming new friendships and moving on in life, she has passed the worst of her pain, and found ways to distance herself from Cilla without losing her completely. In a smooth, natural-sounding translation, this is a thoughtful, complex reminiscence. (Fiction. 12-15)