by Peter Raymundo ; illustrated by Peter Raymundo ‧ RELEASE DATE: Jan. 31, 2017
Generally amusing, if readers can look past the only mildly critiqued focus on beauty.
The titular mermaid must ace a spelling test to get back on her swim team and in doing so learns a lesson about inner and outer beauty.
Mermaid Cora is great at singing, swimming, and splashing—but not so much at spelling, a subject in which she earns “a great big FISH (minus the ish)” on her report card. To help boost her scores, her mother gives her a diary, telling her it has a spell on it to compel her to write. Illustrating her difficulties, numerous words are misspelled, crossed out, and corrected. Cora has just made the junior ranks of the most glamorous swim team—the Singing Sirens—only to get booted for her spelling grade. (How these undersea swim teams compete and what they do—aside from swimming and looking pretty—is never made clear.) Her mother negotiates on her behalf, arriving at an agreement that if Cora aces the next spelling test, she can keep her spot. In writing about her undersea adventures, Cora ends up using her spelling words and learning them. In the end, Cora uncovers the nasty sides of her beautiful teammates and rival, and she decides to change her values. Light-skinned Cora is depicted as chubby and cartoon-cute, while other mermaids (including her best friend, who appears darker-skinned on the cover) appear conventionally “beautiful.”
Generally amusing, if readers can look past the only mildly critiqued focus on beauty. (Fantasy. 6-8)Pub Date: Jan. 31, 2017
ISBN: 978-0-545-91816-9
Page Count: 208
Publisher: Scholastic
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 15, 2016
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Nov. 4, 2014
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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by John Hare ; illustrated by John Hare ‧ RELEASE DATE: May 14, 2019
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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