by Peter Rock ‧ RELEASE DATE: March 12, 2009
A moving evocation of life on the fringes, sparking many questions about our regulated society.
Does Father know best? His teenage daughter is forced to wonder after they’re evicted from their city-park cave in this harrowing fifth novel from Rock (Writing/Reed Coll.; The Bewildered, 2005, etc.).
Caroline and Father had lived in the spacious park in Portland, Ore., for four years, Caroline tells us via her journal. After Caroline’s mother’s death, Father and Caroline were temporarily separated, but when Caroline was nine Father removed her secretly from her foster parents in Idaho. They have made a stable home for themselves in a Portland park. Father is scrupulous about housekeeping. He supervises her education; dictionaries and encyclopedias do the rest. Caroline has taught herself about the forest. She knows where the morels are. She can climb trees and smell animals. Though Father is strict, he allows her to roam. (He’s a vet, a recovering alcoholic and a Thoreauvian idealist; we don’t know more than that.) The 13-year-old will look back on these as happy years; no friends, true, but she has her talisman Randy, a plastic horse. For his little autodidact, Rock has found just the right voice: forthright, with a singular purity. As a result, we care enormously about her fate. Everything changes for the pair when a jogger discovers their hideaway. Armed cops break it up. Father and Caroline are put in the custody of separate social workers. Once they find no evidence of abuse, they settle the pair on a horse farm; Father is to do chores, while Caroline will go to a regular school. No, decides Father. “Regular won’t fit you.” They steal away, back to Portland, living on the streets despite the newly assertive Caroline’s protests. Father makes dumb mistakes and becomes increasingly paranoid, though his devotion to Caroline is constant. Away from the city again, in the mountains, Father will make his dumbest mistake, leading to catastrophe. Caroline’s intuition, keener than his own, might have saved them.
A moving evocation of life on the fringes, sparking many questions about our regulated society.Pub Date: March 12, 2009
ISBN: 978-0-15-101414-9
Page Count: 240
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2009
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by Peter Rock
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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