The novel holds together surprisingly well considering the unusual genesis and process.
A novel that was created by the author in response to a selection of images taken by five photographers from around the country.
A fascinating endeavor, documented at spellsproject.com, this is the book version of a project that has also been presented as a multimedia installation at an art gallery and in addition might become a film. Rock, a novelist (The Shelter Cycle, 2013, etc.), wrote to five different photographers asking them to send him images, then spun his own characters and plot from the connections he made among them. Parts of what results can seem like dreams, fantasies, fairy tales, or hallucinations, though the plotline itself is fairly clear and straightforward. Alex and Sonja, who have known each other since second grade, have arrived at an age of sexual awakening. Or at least Alex has, as he confesses his desire for Sonja to her friend Naomi, who lives in the house where her grandmother recently died. Sonja seems to feel drawn to Naomi more than she is to Alex. So, there is that triangle of relationships, interrupted by two strange occurrences—an older man in a suit becomes obsessed with Naomi, after dreaming about this young woman he had yet to encounter in life, and he confesses to Alex that he's been stalking her. (The man also carries on a conversation with a stranger via notes exchanged by carrier pigeon.) And Naomi’s grandmother has decreed in her will that Naomi will take a voyage to who knows where for who knows how long, leaving Alex and Sonja to share the house she has left. There is also an “I” who may not necessarily represent the author, a “you” who stands for Naomi, and a pair of bears who may or may not exist beyond the minds and fears of some characters but whose images have been captured on film. “The images are not merely illustrations for a pre-existent story, then, but the conditions and possibilities and limitations of how the storytelling preceded,” the author explains in “A Preface of a Sort.” “The images came first. One way to think of it is that the stories herein, and the larger story they become, were already embedded in the photographs.”
The novel holds together surprisingly well considering the unusual genesis and process.Pub Date: May 9, 2017
ISBN: 978-1-61902-900-9
Page Count: 384
Publisher: Counterpoint
Review Posted Online: Jan. 22, 2017
Kirkus Reviews Issue: Feb. 1, 2017
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose...
Sparks (The Longest Ride, 2013, etc.) serves up another heaping helping of sentimental Southern bodice-rippage.
Gone are the blondes of yore, but otherwise the Sparks-ian formula is the same: a decent fellow from a good family who’s gone through some rough patches falls in love with a decent girl from a good family who’s gone through some rough patches—and is still suffering the consequences. The guy is innately intelligent but too quick to throw a punch, the girl beautiful and scary smart. If you hold a fatalistic worldview, then you’ll know that a love between them can end only in tears. If you hold a Sparks-ian one, then true love will prevail, though not without a fight. Voilà: plug in the character names, and off the story goes. In this case, Colin Hancock is the misunderstood lad who’s decided to reform his hard-knuckle ways but just can’t keep himself from connecting fist to face from time to time. Maria Sanchez is the dedicated lawyer in harm’s way—and not just because her boss is a masher. Simple enough. All Colin has to do is punch the partner’s lights out: “The sexual harassment was bad enough, but Ken was a bully as well, and Colin knew from his own experience that people like that didn’t stop abusing their power unless someone made them. Or put the fear of God into them.” No? No, because bound up in Maria’s story, wrinkled with the doings of an equally comely sister, there’s a stalker and a closet full of skeletons. Add Colin’s back story, and there’s a perfect couple in need of constant therapy, as well as a menacing cop. Get Colin and Maria to smooching, and the plot thickens as the storylines entangle. Forget about love—can they survive the evil that awaits them out in the kudzu-choked woods?
More of the same: Sparks has his recipe, and not a bit of it is missing here. It’s the literary equivalent of high fructose corn syrup, stickily sweet but irresistible.Pub Date: Oct. 13, 2015
ISBN: 978-1-4555-2061-9
Page Count: 304
Publisher: Grand Central Publishing
Review Posted Online: Sept. 30, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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