A solid representation of this writer’s mature work, notable for its detached intensity, but his stories’ brevity and...
Curiously dry, unsympathetic short stories by Utah novelist Rock (The Bewildered, 2005, etc.).
Nameless, untamed landscapes form the backdrop for most of these 13 tales featuring random collisions between regular people. “Do I know you?” is a perennial refrain here. “Disappeared Girls” depicts a chance meeting on a train between 15-year-old Miranda, headed for a visit to her grandmother in New Jersey, and 31-year-old Edward, sporting braces and a see-through backpack, who is traveling back to his childhood neighborhood. “Are you trying to have sex with me?” Miranda boldly asks Edward, but the poor guy turns out to be a harmless naïf, an artist more engaged with his dreams than with the girl. Meanwhile, the strangely disembodied tale “Disentangling” shows Dr. Ralston Bender, a Philadelphia medical examiner steeped in the works of Edgar Allan Poe, conducting a series of quasi-sexual experiments involving strangers in a hotel room. The experiments bring together a motley group, including a feral street boy, a sad legal secretary and a sympathetic black man named Sylvester, all gathered to fulfill Bender’s creepy aim of “spreading hope.” In “Gold Firebird,” the aged owner of a highway gas station finds the visit of a sad young wife in a fabulous old car so resonant of his own emotional history—she is fleeing an unfaithful husband—that he doesn’t mind when she can’t pay for the gas and steals his stuff. Rock seems to take perverse delight in bringing his characters close to the louche and seedy.
A solid representation of this writer’s mature work, notable for its detached intensity, but his stories’ brevity and randomness will leave many dissatisfied.Pub Date: March 15, 2006
ISBN: 1-59692-171-4
Page Count: 329
Publisher: MacAdam/Cage
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2006
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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