by Peter Rupert Lighte ‧ RELEASE DATE: May 15, 2015
Lively, evocative autobiographical essays.
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Focusing Proust-like on the objects that embody memories, Lighte (Pieces of China, 2009) hosts a tour of his life, from an American Jewish upbringing to a career in China and London.
Lighte, a longtime Sinophile and J.P. Morgan banker, exploits both meanings of the title by taking on the role of solicitous tour guide—“As a hospitable host in this room, I will give a guided tour of its interior”—while curating his impressively detailed memories like precious artifacts. Lighte grew up in Florida but, after his parents’ divorce, moved with his mother to New York City. It was a family of feuds and sudden deaths, and his mother suffered periodic depressions. By contrast, Lighte was a clownish child who told off-color jokes and played the recorder with his nose. He was an aimless student until he took a college elective on the Far East, hoping for an education on the Vietnam War. This one happenstance determined much of his future: studying Chinese in Taiwan, teaching English in Tokyo, working in Beijing, connecting with his husband over A Night at the Chinese Opera, and adopting two Chinese daughters. In brief vignettes, some almost Proustian in their evocation of sense memories, Lighte remembers people and places that hold significance for him. For instance, in “The Gardenia Bush” and “The Lilac Quest,” a flower’s scent takes him back to the past. A whiff of gardenia perfume in China, and he’s in a friend’s Miami Beach yard, while the smell of lilacs reminds him of the desperate hunt for a floral gift for Aunt Marcy’s surprise party. Other objects are nearly as totemic—red plates purchased for Uncle David’s shiva, a last-minute passport obtained before a QE2 voyage with his father, or the store-bought cookies he took to AIDS patients in memory of a departed friend. His meetings with Pearl Buck and Nigel Nicolson are highlights and reinforce the subtitle’s delight in historical serendipity. Meanwhile, “Seder in Kensington” is the best example of Lighte bringing disparate elements of his life together.
Lively, evocative autobiographical essays.Pub Date: May 15, 2015
ISBN: 978-0991252978
Page Count: 344
Publisher: Acausal Books
Review Posted Online: April 29, 2015
Kirkus Reviews Issue: June 1, 2015
Review Program: Kirkus Indie
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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