THE ESSENTIAL PETER S. BEAGLE, VOLUME II

The second part of a two-volume retrospective from the acclaimed fantasist.

This installment, introduced by SF and horror writer Meg Elison, draws more directly from Beagle’s past, featuring multiple stories purportedly chronicling otherworldly encounters experienced by Beagle and his friends in their youth. Two other tales attribute unearthly abilities to Beagle’s dear friend Avram Davidson, the late (and somewhat quirky) writer. Some of the stories draw from others’ literary works, including a Tarzan/John Carter crossover that also serves as a not-so-subtle criticism of creator Edgar Rice Burroughs’ bigotry and a gripping Patricia Highsmith–inspired story of a meek housewife summoning previously unknown inner strength when confronted by a new member of her bridge club who views her as prey. Two stories have something of a Twilight Zone resonance about them (which isn’t intended as a criticism of these two powerful tales): “Sleight of Hand,” involving a woman mourning the recent death of her husband and child who’s granted an impossible second chance, and “Vanishing,” about an unhappy man forced to confront his dark memories serving as a young American soldier monitoring the Berlin Wall. Of course, there are two tales of dragons invading California (one a work of metafiction and the other a buddy-cop story) and a chronicle of werewolf revenge that draws from an entirely different cultural tradition than the first volume’s “Lila the Werewolf.” There are perhaps many readers who know Beagle only from his classic novel, The Last Unicorn (1968), unaware of his considerable body of long and short fiction; others are longtime fans already familiar with such gems as A Fine and Private Place (1960), The Folk of the Air (1986), and The Innkeeper’s Song (1993), among others. This two-volume collection is a must-have for all of them.

Yes, essential, for whomever you are.