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FATHER, MAY I COME?

Name: FATHER, MAY I COME?
Author: Peter Spier
ISBN: 0-385-30935-X

by Peter Spier & illustrated by Peter Spier ‧ RELEASE DATE: Sept. 1, 1993

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Spier's love of history again combines with his love of transport (The Erie Canal, 1970, among many), now in a fictionalization of the development of the Royal Netherlands Rescue Society (KNRM). In parallel stories set 300 years apart, a Dutch boy spots a ship in distress and raises the alarm; each time, the boy's father is skipper of the volunteer rescue crew, but only in the 20th century is the boy allowed to go along. The incredibly numerous, often humorous minutia in Spier's deceptively casual pictures contrast the periods in fascinating detail. In the later story, the village has grown, but the same church, windmill, and lighthouse remain (though the latter bristles with communications gear); even the rabbits that peep from behind a dune are the same. Descendants of the 17th-century crew have their forebears' names and faces and follow similar trades (blacksmith/garage owner, clogmaker/shoestore owner); a farmhouse is hardly changed (save for a satellite dish where the privy used to be). Most important, the selfless spirit of the rescuers has endured. Map of the treacherous coast; diagrams of the modern lifeboat; brief history of the KNRM. (Picture book. 5-8)

Pub Date: Sept. 1, 1993

ISBN: 0-385-30935-X

Page Count: 24

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1993

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
PETER SPIER'S CIRCUS
by Peter Spier & illustrated by Peter Spier

- BOOK REVIEW
WE, THE PEOPLE
by Peter Spier

- BOOK REVIEW
DREAMS
illustrated by Peter Spier

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RAPUNZEL

adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008

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Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
DO I HAVE TO WEAR A COAT?
by Rachel Isadora ; illustrated by Rachel Isadora

- BOOK REVIEW
MY DOG LAUGHS
by Rachel Isadora ; illustrated by Rachel Isadora

- BOOK REVIEW
I JUST WANT TO SAY GOOD NIGHT
by Rachel Isadora ; illustrated by Rachel Isadora

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STINK AND THE MIDNIGHT ZOMBIE WALK

From the Stink series

by Megan McDonald & illustrated by Peter H. Reynolds ‧ RELEASE DATE: March 13, 2012

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...

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An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.

This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.