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WE, ADULTS

A memorable, enticing account of conflicting lovers—even if some portions are needlessly prolonged.

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Stenson’s character-driven novel features a disastrous love triangle.

Elliot Svendson is 29 and works at a Talbots store in her hometown of Roseville, Minnesota. She lives with her parents and her 3-year-old son, Jacob. This is not where Elliot wants to be—it’s where she has ended up after catching her husband, college professor Devon Hester, cheating on her with one of his students. A skateboarding teen named Madison “Maddie” Johnson enters the picture. When Elliot first lays eyes on Maddie, she is smitten. Despite some initial reservations about the age gap, the two hit it off, and no public space is exempt from their sexual exploits. Maddie even bonds with young Jacob. Then, Devon shows up in Minnesota unannounced and makes the brash move of taking Jacob to a water park without Elliot’s permission. Devon is arrested for the act, though all charges wind up being dropped. He’s not the only one who will spend time in jail: After he informs Maddie’s mother about Maddie’s relationship with an adult woman, the wheels of outrage begin turning. The narrative offers different perspectives from different characters. The story begins with Elliot as the protagonist, followed by excerpts from Devon’s memoir, followed by a screenplay written by Maddie, and finally concluding with college admission essays from a much older Jacob. The shifting angles keep the story fresh with new developments always in store; for instance, while Devon may initially appear to be an “insecure man who slunk through life as if eternally misunderstood,” he later becomes much more multifaceted, and even likable. Maddie’s screenplay proves to be more drawn-out than the other material. When Maddie’s parents say things like “Proud of you” after he graduates high school, it’s dull fare. Though such scenes build to later excitement, they make for a slow boil.

A memorable, enticing account of conflicting lovers—even if some portions are needlessly prolonged.

Pub Date: March 26, 2024

ISBN: 9781646034277

Page Count: 298

Publisher: Regal House Publishing

Review Posted Online: April 4, 2024

Kirkus Reviews Issue: May 15, 2024

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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