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ALL THE BEAUTIFUL LIES

Swanson’s novel has the twisty plot and page-eating pace one expects from him, but it lacks the finesse and psychological...

Swanson’s (Her Every Fear, 2017, etc.) fourth suspense novel once again offers a bleakly idyllic setting, an intricate plot, and, à la Patricia Highsmith, remorseless sociopathic villainy.

Just before college graduation, Harry Ackerson is summoned home abruptly. His father, not quite 50, has died, presumably from a fall during a cliffside walk. Harry arrives in coastal Maine, where he’s consoled and fussed over by his young stepmother, who, at 35, is exactly halfway between Harry’s age and his father's. Harry isn’t sure what to make of Alice, an “otherworldly” beauty whom he doesn’t know well; his father, a secondhand bookseller, left New York to open a second location here just a few years ago, and he married his realtor. Soon the police tell Harry they think his father might have been murdered, and the enigmatic Alice, whose clear seductive interest Harry finds both provocative and suspicious, points toward the husband of a female bookstore employee who was, she reports, carrying on an affair with her husband. Meanwhile, at the funeral, Harry spots a lovely young woman he can’t place. She claims at first, not persuasively, to have impulsively moved to Maine from Manhattan, where she lived near the elder Ackerson’s shop, but Harry—again, both skeptical and smitten—recognizes that she’s more entangled with his father than she’s let on. Pinched between two women he desires but can’t trust, Harry tries to unravel the mystery. Swanson neatly intercuts chapters that fill in Alice’s troubled and troubling youth, but he too insistently invokes Lolita, a dangerous point of comparison not only because he can’t match Nabokov’s magisterial prose, but because it’s impossible to take on the notorious psychopathy at that book’s heart without having something of its author’s command of tone and empathy.

Swanson’s novel has the twisty plot and page-eating pace one expects from him, but it lacks the finesse and psychological acuity required to make its villains quite believable.

Pub Date: April 3, 2018

ISBN: 978-0-06-242705-2

Page Count: 304

Publisher: Morrow/HarperCollins

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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