A mystery embedded in a revealing look at the violently differing theological views of early Christians.
An exceedingly clever lawyer, a woman of great stature among her people, delves into another series of crimes in the year 672.
Sister Fidelma, an advocate of the Irish law courts, and her companion, East Anglia transplant Brother Eadulf, are returning from a trip when they hear of the death of a visiting Burgundian bishop at a nearby abbey. Abbot Cuán asks the couple, well known for solving thorny mysteries, to investigate a case they soon realize is connected to the battle over whose theology will rule Christianity. Everyone disliked Bishop Brodulf, who insisted that instead of staying in the abbey's guest quarters he'd stay in an old wooden structure behind the abbey—which ended up burning with him inside, though the dagger in his chest showed that the blaze was no accident. The abbey is slowly replacing all its wooden structures with stone buildings, and it appears the fire had help from the sulphur dust the masons used to split rock. The abbey is a mixed house where members of both sexes live and work, producing some suggestive undercurrents. The bishop had been arguing violently with the abbey’s star pupil, Brother Garb, whose opinions were antithetical to his. Garb believed both in the equality of women and in the heretical idea that Jesus was not the son of God but only a wise man. The bishop, who was caught rummaging in the library, is known to have stolen some paperwork concerning the line of succession in the land of the Franks. When the murder of Brother Garb is added to her problems, Fidelma must use all her finely honed skills to unravel a complex case.
A mystery embedded in a revealing look at the violently differing theological views of early Christians.Pub Date: Aug. 2, 2022
ISBN: 978-0-7278-8966-9
Page Count: 336
Publisher: Severn House
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
For devoted Hannah fans in search of a good cry.
The miseries of the Depression and Dust Bowl years shape the destiny of a Texas family.
“Hope is a coin I carry: an American penny, given to me by a man I came to love. There were times in my journey when I felt as if that penny and the hope it represented were the only things that kept me going.” We meet Elsa Wolcott in Dalhart, Texas, in 1921, on the eve of her 25th birthday, and wind up with her in California in 1936 in a saga of almost unrelieved woe. Despised by her shallow parents and sisters for being sickly and unattractive—“too tall, too thin, too pale, too unsure of herself”—Elsa escapes their cruelty when a single night of abandon leads to pregnancy and forced marriage to the son of Italian immigrant farmers. Though she finds some joy working the land, tending the animals, and learning her way around Mama Rose's kitchen, her marriage is never happy, the pleasures of early motherhood are brief, and soon the disastrous droughts of the 1930s drive all the farmers of the area to despair and starvation. Elsa's search for a better life for her children takes them out west to California, where things turn out to be even worse. While she never overcomes her low self-esteem about her looks, Elsa displays an iron core of character and courage as she faces dust storms, floods, hunger riots, homelessness, poverty, the misery of migrant labor, bigotry, union busting, violent goons, and more. The pedantic aims of the novel are hard to ignore as Hannah embodies her history lesson in what feels like a series of sepia-toned postcards depicting melodramatic scenes and clichéd emotions.
For devoted Hannah fans in search of a good cry.Pub Date: Feb. 9, 2021
ISBN: 978-1-2501-7860-2
Page Count: 464
Publisher: St. Martin's
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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