by Peter Watson ‧ RELEASE DATE: Feb. 18, 2014
An erudite opus demanding substantial patience, intelligence and education from its readers.
Journalist and intellectual historian Watson (The Great Divide: Nature and Human Nature in the Old World and the New, 2012, etc.) analyzes what people have done to supplant or supplement religion since Nietzsche declared the death of God in the late 19th century.
The author begins with the horror of the fatwa against Salman Rushdie (religion out of control) and returns to Rushdie some 500 pages later. In between is a rich mixture of cultural, intellectual, political and religious history that demands much of readers and is in ways a multilayered chronicle of the past 140 years. But a basic question underlies all: What do we do without God? Watson looks initially at the effects Nietzsche had on the arts (Thomas Mann and Isadora Duncan write and dance through this section) and then looks at American thinkers including Emerson William James, John Dewey and George Santayana. Poets and artists of various stripes also figure prominently (Rimbaud, Cézanne, Bergson), and Freud makes an early appearance as well (he returns periodically). Playwrights are next (Strindberg, Shaw, Chekhov most prominently) before he devotes a chapter to the impressionist painters and their successors. In a solid chapter about the power of desire, a topic to which he returns, Watson explores the works of Gide, Henry James, Wells and Proust. And on the author goes, moving seamlessly from literature to art, philosophy, psychology, political movements, world war, drama and popular culture (the Doors, Dylan, etc.). Watson blasts the world’s religions for their failures during the Holocaust, but he doesn’t have a lot to say about music (a little bit about Charlie Parker and bebop). He delivers a sturdy chapter on the works of today’s scientific atheists (Dawkins, Harris, Pinker) and ends with praise and analysis of Ronald Dworkin.
An erudite opus demanding substantial patience, intelligence and education from its readers.Pub Date: Feb. 18, 2014
ISBN: 978-1-4767-5431-4
Page Count: 512
Publisher: Simon & Schuster
Review Posted Online: Dec. 7, 2013
Kirkus Reviews Issue: Dec. 15, 2013
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by Peter Watson
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
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by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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