With this fourth entry in her Lottie and Herbie series, Mathers (A Cake for Herbie, 2000, etc.) explores the concepts of a guilty conscience and the difficulty of apologizing within an amusing, nontraditional Christmas story. Watercolor panel illustrations in her charming naïve style introduce the animal characters of Lottie and Herbie’s town of Oysterville, with everyone full of holiday good will and involved in Christmas preparations. Herbie the duck and Lottie the hen stop by Ali Baba’s Bakery, where Herbie can’t resist the temptation of a frosted Santa cookie, and his stolen treat sticks in his throat, both literally and figuratively. In her witty, understated text, Mathers deftly shows how Herbie is sick with remorse and sure that everyone knows about the theft, and then shows how hard it is to apologize to those whose trust has been violated. The bakers and Lottie forgive Herbie his trespass and are willing to remain his friends, and in a calm, satisfying conclusion, Herbie gives Lottie a Christmas gift of a handmade gold star that brightens up a cloudy day, just like a warm friendship. In addition to working well as a different sort of Christmas story, this cautionary tale will also serve to ward off any child’s remote idea of shoplifting or even tasting an unauthorized bite of the merchandise. (Picture book. 3-7)
Pub Date: Oct. 1, 2002
ISBN: 0-689-83550-7
Page Count: 32
Publisher: Anne Schwartz/Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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