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BOTH SIDES NOW

Emotionally charged and politically relevant, this is a must-read.

The debate club is Finch’s passion, but when the topic for nationals is announced, he is anything but excited.

Students from across the U.S. will be debating bathroom access for transgender students. It feels to Finch, as a White transgender boy, like a debate about his right to exist in public spaces. With hopes for winning—and thus improving the odds of a life-changing college scholarship—on the line, he has to choose between his academic and political ambitions and his emotional well-being. Complicating things are his growing feelings for his friend and debate partner, Jonah, who is gay; Finch is unsure of his sexual orientation. Queer issues are given center stage, evoking the lived experiences of many in a sensitive and sympathetic way. Racial and other identity-related subjects, while not the focus of the narrative, are also addressed, with Filipino American Jonah receiving his own fleshed-out subplot regarding anti-Asian racism and diverse representation in the supporting cast. Bigotry is depicted in its many insidious forms, including the buildup of day-to-day microaggressions. Despite presenting the full picture of these attacks, the novel makes it clear that Finch’s and Jonah’s lives are not bleak tragedies: They are allowed their happiness and their triumphs. These characters feel nuanced and genuine, with their identities and backgrounds as integral parts of the plot and characterization.

Emotionally charged and politically relevant, this is a must-read. (Fiction. 14-18)

Pub Date: Aug. 24, 2021

ISBN: 978-0-593-32281-9

Page Count: 300

Publisher: Dial Books

Review Posted Online: June 15, 2021

Kirkus Reviews Issue: July 1, 2021

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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