A simple but profound futuristic story of the painful effects of colonization.
Aliens find their quiet lives thrown into turmoil when humans explore their planet in Bailey’s SF debut.
Kelvoo is a member of a peaceful, genderless species on the planet Kuw’baal. The kloormari’s intricate bodies—a mushroomlike eye at the top and double-jointed limbs with paddles for hands—make them expert multitaskers. As such, they don’t rely on modern technology and are shocked when humans from planet Terra (aka Earth) send a surveillance drone to their planet. Next, humans come in an even bigger ship, and although Kelvoo and other kloormari find the visitors “hideous,” they aren’t threatening. They teach the kloormari all about the Terran language (of which there seems to be only one), food, culture, and unfamiliar concepts, such as imagination and fictional stories. Sadly, a later group of humans isn’t as amiable; they trick nine kloormari, including Kelvoo, into joining a phony mission, enslave them, and show them some of the worst that humanity has to offer. Kelvoo and the others, pushed to the brink, find a way to escape their plight so they can get home. But will Kuw’baal be the same place they left behind? Aside from the preface, the entire narrative is made up of Kelvoo’s autobiographical account, featuring straightforward observations in simple, unadorned prose. Kelvoo’s willingness to accommodate Terrans’ unusual customs makes the protagonist endearing, and there are some lighthearted moments, as when kloormari become fascinated by Terran-provided Infotab tablets. The kloormari, who live up to a few centuries and birth offspring in just weeks, prove fascinating in their own right. Bailey’s message is blunt but affecting, as the humans cheat, rebuke, and subjugate a species that they don’t bother to understand, and readers will find it painful to watch the kloormari suffer such cruelty. However, the author also rounds out his novel with delightful details, including hints of other species who are part of a Planetary Alliance.
A simple but profound futuristic story of the painful effects of colonization.Pub Date: May 14, 2022
ISBN: 978-1-77810-241-7
Page Count: 394
Publisher: Philcora Enterprises Inc.
Review Posted Online: April 30, 2022
Kirkus Reviews Issue: July 1, 2022
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A philosophically charged tour de force by one of the best living novelists in English.
A gravely post-apocalyptic tale that blends mystery with the academic novel.
McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.
A philosophically charged tour de force by one of the best living novelists in English.Pub Date: Sept. 23, 2025
ISBN: 9780593804728
Page Count: 320
Publisher: Knopf
Review Posted Online: May 24, 2025
Kirkus Reviews Issue: July 1, 2025
PERSPECTIVES
PERSPECTIVES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
