A fine tribute to an unsung African-American hero. (Picture book. 3-7)
An almost-true story of a man who loved his job and did it well.
In this colorful mélange of fact and fiction, Bildner tells the tale of Cornelius Washington, a sanitation worker who cleans the streets of the French Quarter of New Orleans and performs his job with flair. Cornelius does flips, lobs bags of trash into his garbage truck as if shooting hoops in the gym, makes trash-can lids into cymbals, and entertains locals while making the streets sparkle. Hurricane Katrina changes all of that, leaving trash, death, and decay in its wake, “a gumbo of mush and mud.” After weeping for his city, Cornelius joins forces with his neighbors and the waves of people who come to New Orleans post-Katrina from all over to help make New Orleans sparkle once again. Parra’s lively, rustic illustrations look textured, as if they were painted on wooden boards—appropriate for a book that depicts only outdoor scenes. Notably, the images of the French Quarter post-Katrina suggest a much more diverse population than those of pre-Katrina New Orleans; perhaps some who came to help stayed. The illustrator fills every page with activity, while the text comments on individual people readers can find if they look.
A fine tribute to an unsung African-American hero. (Picture book. 3-7)Pub Date: Aug. 4, 2015
ISBN: 978-1-4521-2578-7
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: June 15, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Skip.
The ever-popular pioneering female pilot gets a breezy and very incomplete biography.
Meltzer gives Amelia a first-person voice and, in a very sketchy narrative laced with comic-book speech bubbles, presents her as a dare-devil tomboy. The flying bug hits her when she goes up for a flight with Frank Hawks at the age of 23. She tries her hand at different jobs to earn money for flying lessons; Meltzer, writing too glibly, calls stenography, one of those failed efforts, a “fancy-schmancy word.” As Amelia makes her solo trans-Atlantic flight, she shouts, “This is AWESOME!”—a word no doubt intended to resonate with contemporary readers but unlikely to have occurred to Earhart at the moment. The text concludes with an exhortation to “Never let anyone stop you. / Whatever your dream is, chase it. / Work hard for it.” There is nary a mention of her final, disastrous around-the-world flight and disappearance over the Pacific. Eliopoulos’ digitally rendered art is cartoon in style, with Earhart resembling a bobblehead doll and wearing an aviator hat and goggles. The audience for this mixed-up comic/bio is not at all clear. Given its incomplete information and lack of source material (an actual quote from Earhart is unreferenced), there is no justifying calling it a biography. Nor is there enough entertainment to call this a comic book.
Skip. (photographs) (Picture book. 3-6)Pub Date: Jan. 14, 2014
ISBN: 978-0-8037-4082-2
Page Count: 40
Publisher: Dial Books
Review Posted Online: Nov. 19, 2013
Kirkus Reviews Issue: Dec. 15, 2013
A barely serviceable introduction with far more child appeal than substance.
Following introductions to Amelia Earhart and Abraham Lincoln, this third title in the set introduces an iconic figure in the civil rights movement.
In a straightforward fictionalized narration, Parks tells her story. She gives examples of segregation and bullying in her early life, describes the incident that led to her work for the NAACP and the resistance that led to the Montgomery Bus Boycott of 1955-56. “The only tired I was, was tired of giving in,” she remarks. The book makes a point of contrasting her small size with her great determination. In the cartoon illustrations, Parks has the round head of Charlie Brown; sometimes she even shares his rueful expression. As with other heroes in the series, she remains child-sized throughout the book, which has the effect of infantilizing her. In one particularly unfortunate illustration, she and an equally child-sized Martin Luther King have an imagined conversation, depicted in speech bubbles, in front of an integrated classroom full of students prayerfully reciting the Pledge of Allegiance. The small, square format seems designed for young hands, and the approach may be most appropriate for preschoolers. The thriller-writer–turned–author-for-children has provided no documentation, sourcing or suggestions for further exploration of this history, but two pages of photographs (not seen) follow the account.
A barely serviceable introduction with far more child appeal than substance. (Picture book/biography. 3-7)Pub Date: June 17, 2014
ISBN: 978-0-8037-40853
Page Count: 40
Publisher: Dial Books
Review Posted Online: April 29, 2014
Kirkus Reviews Issue: May 15, 2014
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