Is great hitting in the clean, natural swing of the batter—or the perfectly balanced feel of the bat? As kids know when they start playing baseball, small details must converge just right to overcome the edge between winning and losing, hitting and striking out. Sometimes this translates into superstitions or quirky behavior. First-time author Bildner toes this question in the quirks of Shoeless Joe Jackson and his feared bat, Black Betsy. Joe, who played in the major leagues from 1908 to 1920, does well in the minor leagues, but can’t seem to move up without the help of his South Carolina friend, the great bat-maker Charlie Ferguson. While Charlie knows how to make the best bat, it’s not hard to decide which needs tweaking more, the bat or Joe’s mind so he can finally realize his great potential. From Joe sleeping with the bat to his wrapping it in the cotton of his southern roots, Bildner sticks mostly to the main facts and resists a romanticization of the game. Players who know the perfect, sweeping amalgamation of hand, eye, and sweet spot might expect to hear its dramatic tenor when Joe cracks the ball with Black Betsy, but this is a story finished by statistics. Payne’s (Brave Harriet, p. 944, etc.) mixed-media illustrations are gorgeous: the fuzz is in the flannel and the light is just right. And so are his perspectives, angles, and other compositional choices that make for the right mix of mystery and narrative to draw the reader in. A lengthy synopsis of Joe’s entire career and his statistics are appended. (Picture book. 5-8)
Pub Date: March 1, 2002
ISBN: 0-689-82913-2
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)
Pub Date: May 1, 2004
ISBN: 1-58430-161-9
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
A holiday outing that doesn’t quite satisfy.
In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.
Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.
A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)Pub Date: Oct. 1, 2024
ISBN: 9780593755006
Page Count: 40
Publisher: Penguin Workshop
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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