A dry but well-informed account of the woman behind Mussolini's rise to power, by Cannistraro (History and Politics/Drexel University) and Sullivan (Senior Fellow/National Defense University). Margherita Sarfatti, an art critic and daughter of an influential Venetian Jewish family, was, according to the authors, a Svengali figure to the rough-hewn Mussolini. Beginning her affair with the future dictator (``My absurd lover, tyrannical and adored!'') in 1911, she became known as his ``inspiratrice,'' directing his reading (Proudhon and Machiavelli, among others), bolstering his belief in his greatness, and helping him to mold his vision of a new Roman Empire. Though an ardent socialist, Sarfatti supported Italian involvement in WW I, an action that got her expelled from the Socialist Party. After the war, she and Mussolini worked together to forge the Fascist Party from two unlikely allies, the nationalists and socialists, and watched their creation grow to power, nourished by conditions of mass unemployment, street-fighting, and demagoguery given credibility by electoral success. Sarfatti, the authors contend, had ``a far more flexible and inventive political imagination'' than Mussolini, and she was a central figure during these formative years—yet her affair with the dictator, and her influence, waned during the early 30's. In 1938, in the face of Il Duce's growing anti-Semitism, Sarfatti fled to Argentina with two suitcases full of jewels and modern art, treasures that she later parlayed into a position as one of the most important art collectors of the mid-century. She died in Italy in 1961. The authors devote too much space to Sarfatti's career as an art critic and promoter of Italian-American ties; still, hers is a remarkable, sometimes tragic, tale. (Photos.)
Pub Date: March 19, 1993
ISBN: 0-688-06299-7
Page Count: 550
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1993
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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