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SOME RISE BY SIN

This is a compelling novel that wraps up too neatly, belying the uncertainty and turmoil at its core.

A novel that couldn't be more timely: the story of culture clash and compromise in Mexico.

Caputo’s eighth novel revolves around two Americans, a priest and a physician, in the Mexican village of San Patricio. This is not, the author tells us, “Cancún [or] Puerta Vallarta”; rather, it is the Mexico of our darkest, wall-building fantasies, “one vast bad neighborhood, East L.A. or the South Side of Chicago on steroids.” Lest such an image seem stereotypical, it’s not—because Caputo is an acute observer of human disorder and disarray. The priest here, Father Timothy Riordan, is conflicted: about his celibacy, about his faith, and most of all about his tenuous position between the townspeople and the authorities. The doctor, Lisette Moreno, is more settled, but that is to some extent due to her privilege; she has come to Mexico by choice. Complicating everything is the presence of the Brotherhood, a gang of narcos so casually brutal that their threats and violence are never anything but believable. The moral landscape is reminiscent of Robert Stone, particularly his 1981 novel A Flag for Sunrise, which also revolves in part around a priest adrift in chaos south of the border. Stone’s perspective, though, is more apocalyptic, or perhaps, most accurately, touched with madness; among the challenges (and rewards) of his writing is the sense not just that the center isn’t holding, but also that there is no center to hold. Caputo is a more traditional novelist, and his aims are, finally, less ambitious; for all its detailed evocation of life in the village, his book is more or less a character portrait, or a pair of character portraits, in which the Americans are always in the light. That makes for a more focused effort, especially in regard to Riordan, whose self-flagellations (both real and imagined) largely drive the narrative. “His anger drained away,” Caputo writes of the priest, “and a gloom dropped over him, like a hood over a man about to be hanged.” Ultimately, however—and despite the force of the writing—this makes the novel too neat, too predictable. Caputo is taking on a messy territory, in which there are no answers, and everyone must do what they need to get along. This is the promise of his novel, that such disruption is contagious, but in the end, the book portrays less the corruption of a tarnished world than the blight of a single errant soul.

This is a compelling novel that wraps up too neatly, belying the uncertainty and turmoil at its core.

Pub Date: May 9, 2017

ISBN: 978-1-62779-474-9

Page Count: 368

Publisher: Henry Holt

Review Posted Online: Feb. 20, 2017

Kirkus Reviews Issue: March 1, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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