by Philip Keith ‧ RELEASE DATE: Feb. 11, 2012
Military buffs will take it in stride, but Americans accustomed to 30 years of campaigns in which a single soldier’s death...
A fine, precisely detailed record of an obscure but nasty battle in Vietnam in which heroism was forgotten even more quickly than the war itself.
The book begins in 2009 when President Obama awarded survivors the Presidential Unit Citation, a rare, highly prized honor. Intrigued by the long delay, Vietnam veteran and writer Keith discovered that the battle produced dozens of medal recommendations that were declined or ignored until one veteran, Capt. John Poindexter, discovered the oversight 30 years later. Stimulated, Keith delved into military archives as well as accounts and writing of the men themselves to tell their story. On March 26, 1970, an infantry company stumbled into a fortified North Vietnamese army stronghold and were immediately surrounded and pinned down. Dense tropical-forest cover ruled out the usual air support; with only a few hours of ammunition the outnumbered unit faced annihilation. Four kilometers away another unit heard the noise. Without orders and already exhausted by several days of activity, its armor and men forced their way through the jungle, drove off the enemy and extracted all the surrounded men, dead and injured included. Keeping the traditional patriotic overlay to a minimum and with only a modest amount of invented dialogue, Keith provides engrossing, almost minute-by-minute account of the preliminaries and the battle itself.
Military buffs will take it in stride, but Americans accustomed to 30 years of campaigns in which a single soldier’s death is news and more than one makes the front page will squirm to read that in the typical war, men die en masse.Pub Date: Feb. 11, 2012
ISBN: 978-0-312-68192-0
Page Count: 352
Publisher: St. Martin's
Review Posted Online: Dec. 4, 2011
Kirkus Reviews Issue: Dec. 15, 2011
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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