A chronicle of one ÇmigrÇ Polish aristocrat's return to her family's abandoned estate is transformed by an award-winning British writer into an evocative narrative complete with two remarkable heroines and two world wars. That poet Zofia Ilinska had a colorful and mysterious past was apparent early on to Marsden, who as a boy summered in the Cornish village where Ilinska lived. Yet nothing quite prepared him for the drama, pain, and courage that were revealed to him when he accompanied his old friend on a journey to her ancestral homes in and around the city of Vilnius, in Poland's former eastern borderlands. Marsden's English voice, with its combination of curiosity and distance, drives and shapes this fascinating tale of Ilinska and her mother, Helena, and their vanished, rarefied world of Poland's landed aristocracy. Helena, who witnessed both world wars and the start of the Russian Revolution in St. Petersburg, is a woman of courage, charm, and innocence who inspires in the reader a combination of awe and pity. Working from her papers and diaries, Marsden vividly captures the spirit of Helena and the customs, mores, and prejudices of her society and family. By going back a generation, he provides Ilinska's own remarkable story of love and misfortune with added depth and perspective, highlighting the ``patterns of loss'' that plagued mother, daughter, and Poland, whether caught between lovers or armies. During her journey home, Ilinska finds her family's estate in ruins and the family graves looted. Her response is pragmatic. She restores the family chapel, declaring that it is for the locals, both Orthodox and Catholic, to use. With this act she brings a sense of closure to her own past while infusing hope into historic local, national, and religious tensions that surrounded her family's private world. A fascinating and dramatic tale of love and loss on both a personal and national scale.
Pub Date: June 1, 1997
ISBN: 1-55970-392-X
Page Count: 256
Publisher: Arcade
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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