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CROCKETT JOHNSON AND RUTH KRAUSS

HOW AN UNLIKELY COUPLE FOUND LOVE, DODGED THE FBI, AND TRANSFORMED CHILDREN'S LITERATURE

Likely to become the go-to biography of these two iconic figures—for specialists, but not just those in children’s...

A thoroughgoing, if dispassionate, portrait of two relentlessly creative types whose contributions to children’s literature—epochal as they are—make up only part of the story.

While Krauss’ A Hole Is To Dig (1952) and Johnson’s Harold and the Purple Crayon (1955) are well-known classics of children’s literature, Nel (Director, Kansas St. Univ. Program in Children’s Literature; The Avant-Garde and American Postmodernity, 2002, etc.) makes sturdy cases for regarding Johnson’s comic strip Barnaby as a landmark in the history of cartoons, and Krauss as a significant creator of avant-garde poetry and theater pieces for adults in the 1960s and ’70s. Aside from shared interests in each other and in leftist politics, the two seem better defined here by their differences: He was big, quiet and bearlike, she was small and intense; he thought of himself as a cartoonist, she as primarily a writer. His most renowned published work largely reflects his own experiences and inner child; hers (for younger audiences) was inspired by observations of, and overheard remarks by, actual children. They collaborated on just four of their many dozens of books. Later in their lives, while she was making a splash in the New York cultural scene, he took to painting visual representations of mathematical and geometrical formulas—many of which are now in the Smithsonian Institution. Succumbing only occasionally to the temptation to drop tedious lists of family, friends or famous guests at various functions, Nel draws on a decade of archival research and more than 80 interviews to track their personal and professional relationships—notably with Maurice Sendak, whose career was launched with his illustrations for A Hole Is To Dig, and the entertainingly fiery editor Ursula Nordstrom—and multifaceted careers.

Likely to become the go-to biography of these two iconic figures—for specialists, but not just those in children’s literature.

Pub Date: Sept. 1, 2012

ISBN: 978-1-61703-636-1

Page Count: 400

Publisher: Univ. Press of Mississippi

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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