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SLOWHAND

THE LIFE AND MUSIC OF ERIC CLAPTON

Extremely knowledgeable about the rock music scene, Norman tells Clapton’s story with verve and insight.

The renowned guitar superhero emerges as “supersurvivor” in this authoritative biography.

In the latest of his long list of accomplished rock biographies, novelist and playwright Norman (Paul McCartney: The Life, 2016, etc.) turns to Eric Clapton (b. 1945). The author concluded that Clapton’s own autobiography was the only “formidable deterrent” to writing one, but he felt it withheld “as much as it revealed.” Written with Clapton’s approval and access to family members and close friends, Norman’s fine biography, both objective and sympathetic, envisions Clapton as “one of the most thoroughly dissolute rockers of olden times” who became the “most thoroughly reformed.” His unmarried mother asked her mother, Rose, to adopt baby Eric, and he grew up believing her to be his mother. The music of Buddy Holly impressed him mightily, and Clapton was much taken by Holly’s Fender Stratocaster: “That’s the future. That’s what I want.” His doting grandmother bought him a basic guitar, and he practiced by listening to records. At the heart of the book is Clapton’s constant quest for the right band and the right guitars to get the right blues sound. After playing with fledging bands like the Roosters and Engineers, he got his big break with the Yardbirds, famous for their impromptu “rave-ups.” During this “CLAPTON IS GOD” (as a London graffito read) period, he got his famous nickname, “Slow-handclapton.” More bands followed, including John Mayall’s Bluesbreakers, Cream, and Blind Faith. Clapton also changed girlfriends as often as he changed bands. Norman describes his subject as a notorious “womaniser on the scale of Mick Jagger, a sex addict before the term was invented.” George Harrison was Clapton’s best friend, but he seduced and later married Harrison’s wife, Pattie Boyd; Clapton wrote “Layla” for her. Norman discusses in detail Clapton’s yearslong, devastating addictions to heroin and alcohol and provides countless fascinating stories about his fellow rockers.

Extremely knowledgeable about the rock music scene, Norman tells Clapton’s story with verve and insight.

Pub Date: Oct. 30, 2018

ISBN: 978-0-316-56043-6

Page Count: 448

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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