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WILDLORD

The plodding pace and surface-level characterizations make this a hard sell.

An orphaned boy has a chance to spend the school holidays with an unknown and sinister relative.

Seventeen-year-old Tom can’t bear the thought of spending the next eight weeks of summer holidays under surveillance at his boarding school, but his parents have been dead for five years, and his friends are too busy to host him. An unexpected letter from his Uncle Jack offers a reprieve: a chance to stay in the country. But Tom doesn’t even have an uncle, does he? Mundham Farm, Jack’s village home, proves to be deeply unsettling: Tom gets no cellphone reception, and all household work is done by two “domestics” who dress oddly and speak in archaic language. Is Jack magic? Worse, is Jack actually 500 years old? In this strange, remote house that appears to be under siege by arrow-shooting Good Folk, Jack’s creepy magic seems to come out of a grab bag of tropes, and the slow-moving, fragmented prose contributes to an overall feeling of disconnectedness. The servants’ inner lives are limited to recitations of backstory and expressions of fear or rage; when a tear-faced Tom insists that he loves them, it’s not clear what’s possibly passed between the characters to inspire such strong emotion. Most characters, human or otherwise, appear to be White.

The plodding pace and surface-level characterizations make this a hard sell. (Fantasy. 12-16)

Pub Date: Oct. 4, 2022

ISBN: 978-1-915071-22-4

Page Count: 264

Publisher: Little Island

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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LEGENDARY

From the Caraval series , Vol. 2

Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play.

Garber returns to the world of bestseller Caraval (2017), this time with the focus on younger, more daring sister Donatella.

Valenda, capital of the empire, is host to the second of Legend’s magical games in a single year, and while Scarlett doesn’t want to play again, blonde Tella is eager for a chance to prove herself. She is haunted by the memory of her death in the last game and by the cursed Deck of Destiny she used as a child which foretold her loveless future. Garber has changed many of the rules of her expanding world, which now appears to be infused with magic and evil Fates. Despite a weak plot and ultraviolet prose (“He tasted like exquisite nightmares and stolen dreams, like the wings of fallen angels, and bottles of fresh moonlight.”), this is a tour de force of imagination. Themes of love, betrayal, and the price of magic (and desire) swirl like Caraval’s enchantments, and Dante’s sensuous kisses will thrill readers as much as they do Tella. The convoluted machinations of the Prince of Hearts (one of the Fates), Legend, and even the empress serve as the impetus for Tella’s story and set up future volumes which promise to go bigger. With descriptions focusing primarily on clothing, characters’ ethnicities are often indeterminate.

Dark, seductive, but over-the-top: Characters and book alike will enthrall those who choose to play. (glossary) (Fantasy. 12-16)

Pub Date: May 29, 2018

ISBN: 978-1-250-09531-2

Page Count: 464

Publisher: Flatiron Books

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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THE GIRL OF FIRE AND THORNS

From the Girl of Fire and Thorns series , Vol. 1

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...

Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.

Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)

Pub Date: Sept. 1, 2011

ISBN: 978-0-06-202648-4

Page Count: 432

Publisher: Greenwillow Books

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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