A vivid depiction of the trade and the ruined lives left in its wake.
The latest page-turner from Gregory (The Boleyn Inheritance, Dec. 2006, etc.) is a sobering account of the English slave trade, with a bit of romance thrown in.
In 1787 Africa, Mehuru, an envoy for his Yoruban king, is traveling the empire to deliver the king’s edict: Yorubans will desist in all slave-trading with white slavers. Mehuru is captured by the English and thrown onto a slave ship owned by Josiah Cole, a small Bristol merchant with dreams of advancement. He and his sister Sarah have done all they can with their three modest vessels—they kidnap Africans, trade them for sugar and rum in the West Indies, then sell the goods in England—but since much of the better trade is denied them because of their class, Josiah decides to marry up. He finds Frances Scott, niece to a prominent lord, but herself a penniless orphan. To both, it is an even exchange—Josiah gets connections to circles of business he could never enter, and Frances has a home. It is Josiah and Sarah’s new plan that a handful of slaves will be brought back to England where Frances will tutor them in the ways of the gentry, selling them for an enormous profit. Mehuru and ten others are chained in a cellar, where they are half-starved, raped by Josiah’s house guest and whipped, while spending afternoons in the parlor learning polite English. Frances and Mehuru eventually fall in love, and Josiah risks ruin in financial schemes dependent on a single ship cruelly over-packed with captured Africans. The success of this tale lies in the author’s nuanced portraits: Frances, a product of her class, is refined, ignorant and selfish (even while devoted to Mehuru, she is shocked when he joins radicals dedicated to ceasing the trade—her livelihood). Cultured Mehuru lives in a state of astonishment that other humans could be so barbaric. And most interestingly, Sarah, proud of her independence and financial partnership with Josiah, is crushed when he forces her to stay cooped up with Frances and become a “lady.”
A vivid depiction of the trade and the ruined lives left in its wake.Pub Date: Feb. 1, 2007
ISBN: 0-7432-7254-4
Page Count: 512
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2006
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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