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THE QUEEN’S FOOL

Another intelligent and engrossing tale of Tudor England from Gregory (The Other Boleyn Girl, 2002, etc.).

It’s 1553, and a teenaged girl with a dangerous secret is caught up in royal intrigue as she tries to serve a scheming lord, an unhappy queen, and the queen’s ambitious sister.

As Edward VI, only male heir of Henry VIII, lies dying, 14-year-old Hannah Green is helping her father in his London printing and bookshop. Because young girls are not supposed to set print or deliver books, she’s dressed in boy’s clothing, but that’s not Hannah’s only secret. She and her father are Spanish Jews who fled the Inquisition after her mother was burned as a heretic. Finding refuge in Protestant England, the Greens observe Christian rituals in public, but privately they still honor the old ways. One day Hannah attracts the attention of a shop customer, handsome Lord Dudley, by innocently revealing that she has the gift of second sight—a particularly useful gift in these uncertain times, when it seems that Protestant Edward will be succeeded by Catholic Mary. Hannah becomes an aide to Lord Dudley, who recommends her to the young king to be his Fool. While serving Edward, she follows Dudley’s orders to attend and spy upon the king’s older sister Mary, whom she grows to love. When Mary becomes Queen, Hannah attends her at court, but (again at Dudley’s request) also makes contact with her sister Elizabeth. Hannah admires the young princess’s courage as Elizabeth faces losing her life when Mary starts burning Protestants as heretics. Her loyalties divided, fearful that she and her father are vulnerable in Catholic England, Hannah relies on her wits to survive threats, intrigue, and danger. She must also decide whether she will marry Daniel, a family friend, to whom she is officially betrothed. Tudor England is not a merry place, but Hannah is no fool.

Another intelligent and engrossing tale of Tudor England from Gregory (The Other Boleyn Girl, 2002, etc.).

Pub Date: Feb. 1, 2004

ISBN: 0-7432-4607-1

Page Count: 432

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2003

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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