A spite-spitting, direful tale set in the reign of England's Henry VIII—and starring a worthy successor to the terrible Beatrice, the murderous prime mover of Gregory's Wideacre (1987), of the Lacey Trilogy. Here, a fierce young woman, status-climbing, learns poor Anne Boleyn's lesson about the price of ambition: ``Never cross a powerful man.'' Young Alys, dreaming, smells the smoke of the burning abbey, but she runs away, leaving her adored Mother Hildebrand to perish- -and returning to the cold, dirty hut of Morach, the local ``wise woman'' who raised her. Mother Hildebrand had given Alys education, cleanliness, beautiful surroundings—and safety. But Morach, who gave Alys a vocation and a hard dose of truth, declares: ``There's no safety for you or for me...[we] do not accord with the way men want.'' When Alys is taken to the castle to heal old Lord Hugh, however, she's overcome by the lure of riches, the scent of power, and desire—for young Hugh (the one who burnt the nuns to death: abbey-burning was a Tudor sport). Before long, Alys, living comfortably if restlessly at the castle, begs Morach for a bit of magic, and three dolls are fashioned, resembling lords old and young as well as the young Hugh's unpleasant fat wife, Lady Catherine. Even Morach is not able to forecast the horror to come- -though at one point she will save Lady Catherine from drowning in the moat (from a castle outlook, Alys ``started humming...like a swarm of toxic bees''). And who could guess that those little dolls were made for walking? Buoyed by eerie successes, Alys betrays those who loved her to terrible deaths—and climbs upward to the inevitable fall. Told with the dark energy of Wideacre, a fem/lib screw-turn or two, messy magic, and a certain mean glee: a chilly period entertainment.
Pub Date: Nov. 1, 1993
ISBN: 0-671-79274-1
Page Count: 448
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1993
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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