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TIDELANDS

A promising start to a family saga about ordinary people.

The inaugural volume of Gregory’s (Dark Tracks, 2018, etc.) new series is set during the English civil war.

A wise woman is at the center of this launch. Alinor, an herbalist and midwife, is reminiscent of Jacquetta (The Lady of the Rivers, 2011), another Gregory protagonist, foundress of the Woodville dynasty of beautiful and resourceful women who figure in the War of the Roses and attract accusations of witchcraft. In 1648, the risk of such accusations is even higher, since Alinor lacks Jacquetta’s noble lineage and because an army of Puritan Christians led by Oliver Cromwell has dethroned King Charles, now confined on the Isle of Wight. Extensive atmospherics slow the action but convey a strong sense of place—the Sussex tidelands, where, on Sealsea Island, Alinor earns a sparse living selling herbs and practicing the healing arts. She also invites scrutiny because her abusive husband disappeared months before. Detail abounds about the 17th-century economy of a small island: The local lord, Sir William, still holds sway thanks to a deal with Parliament, and his tenants each have their trade. Alinor’s brother Ned, a staunch anti-royalist, runs the family ferry business, her daughter Alys, also beautiful, works for the miserly Mrs. Miller, whose family controls the tide-driven mill. Everyone makes their own ale. When Alinor meets James, a disguised Catholic priest who has been summoned by Sir William, her fortunes change for both good and ill. James, a spy from the exiled English court in France, is embroiled in a plot to rescue King Charles. With James’ help, Alinor’s son Rob is assured of a brighter future under Sir William’s patronage. Alinor and the handsome James are instantly drawn to one another, and his vow of chastity falls to the wayside, with rather unpleasant results once he is called back to France. There are chilling descriptions of what Puritans in power are prepared to do to women who deviate from social norms—or merely incite envy. Once the jeopardy accelerates, this is Gregory par excellence.

A promising start to a family saga about ordinary people.

Pub Date: Aug. 20, 2019

ISBN: 978-1-5011-8715-5

Page Count: 480

Publisher: Atria

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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