by Phillip Jennings ‧ RELEASE DATE: March 1, 2005
Veterans and military fans may be entertained, but the general audience will likely founder on the whimsy.
Tall tales of the flying war in Vietnam mix successfully, for the most part, with adventures both amusing and hair-raising in Southeast Asia.
Oliver Stone confirmed that war is evil. Joseph Heller made the case that war is nuts. First-novelist and Marine aviation veteran Jennings suggests that war, even the war in Vietnam, could pretty much be fun. It was hell too, of course, and the battle scenes here are tough, fast, and frightening. But episodes of wackiness predominate in a story premised on secret orders from the nameless, though unmistakably Lyndonesque president. The orders send pilot Jack Armstrong and his fearless, wild-and-crazy buddy Gearhardt (first name seems not to have made it across the Pacific) into the Marine air wing with almost-captain rank and a mission to go to Hanoi and assassinate Ho Chi Minh—General Giap, too, if the opportunity arises. Success of the mission seems to depend on the powers of distraction associated with parachuting into Hanoi the luscious nude star of the film Barbonella (make your own connection), who is keen to have a go with the Hanoi anti-air battery. Gearhardt and Jack have a terrible time getting away from South Vietnam. Real war keeps intruding, and the pilots constantly have to fly real missions. When they finally do slip away, Gearhardt promptly loses the orders somewhere over the jungle, and their plane is shot down by irritable rice farmers well short of Hanoi. The naked movie star does drop, and the lads do make it to the North Vietnamese capital. But Ho turns out to be an awfully good drinking companion, and the orders to execute the communist leadership may actually have been orders to set up beer distribution agreements. Hmm. Bring on the bar girls.
Veterans and military fans may be entertained, but the general audience will likely founder on the whimsy.Pub Date: March 1, 2005
ISBN: 0-765-31120-8
Page Count: 336
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2004
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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