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PORTRAIT INSIDE MY HEAD

ESSAYS

A master class on the pleasures of the English language well-wrought—a useful complement to his guide on writing literary...

Esteemed essayist and poet Lopate (At the End of the Day: Selected Poems and an Introductory Essay, 2010, etc.) offers “a motley collection of essays, personal and critical,” loosely tied together around the theme of “the discovery of limitations, and learning to live with them.”

The author divides the essays into sections devoted to family, daily life, city spaces and literary concerns. Yet there is a single “sensibility flowing through disparate subject matters,” that of the good-humored cynic and gentle contrarian. In the first essay, the simple event of Lopate’s daughter losing a balloon presents evidence that life is, in the end, “loss, futility, and ineluctable sorrow.” In another essay, the author concludes that being a baseball fan “means learning to absorb failure and be on a friendly footing with defeat.” And so it goes through essays on sex, marriage, film, writing, politics, the Bible and more. Lopate leaves behind at times the purely personal with telling essays on film and literature. He moves from revisiting Ginsberg’s Howl to thoughts on a wide variety of writers, including Charles Reznikoff, Leonard Michaels, Stendhal and others. No matter the topic, however, another constant throughout is fine writing; the words Lopate chooses are the only words that will do. “The interruptive nocturne of clinics” perfectly captures nights on the pediatric ward where his daughter spent so much of her infancy. Brooklyn, he muses in a paean to his beloved hometown, has “a touch of the amateur, voluntary, homemade about the place.” In a concluding essay, Lopate confesses that writing is his life. Readers are well-rewarded for his obsession.

A master class on the pleasures of the English language well-wrought—a useful complement to his guide on writing literary nonfiction, To Show and to Tell, which will publish simultaneously.

Pub Date: Feb. 12, 2013

ISBN: 978-1-4516-9586-1

Page Count: 304

Publisher: Free Press

Review Posted Online: Nov. 11, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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