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THE GOLDEN AGE OF THE AMERICAN ESSAY

1945-1970

Well-chosen essays on enduring themes.

A celebration of writing on American culture and politics.

Essayist and anthologist Lopate gathers 38 pieces from 1945 to 1970, a period when essay writing flourished and “the figure of the public intellectual, who would be expected to transmit and explain complex ideas, was in ascension.” James Agee, Leslie Fiedler, Irving Howe, Elizabeth Hardwick, Rachel Carson, Martin Luther King Jr., Edward Hoagland, and Flannery O’Connor are among the writers included, with many essays relevant to our own times. For example, in “The Dilemma of Liberal Democracy” (1947), Walter Lippmann reminded readers that George Washington “believed that the people should rule. But he did not believe that because the people ruled, there would be freedom, justice, and good government.” Washington realized “that there was no guarantee that the rule of the people would not in its turn be despotic, arbitrary, corrupt, unjust, and unwise.” In 1964, Richard Hofstadter identified “the paranoid style” of politics, characterized by “heated exaggeration, suspiciousness, and conspiratorial fantasy” and inflamed by mass media: “The villains of the modern right are much more vivid than those of their paranoid predecessors, much better known to the public; the literature of the paranoid style is by the same token richer and more circumstantial in personal description and personal invective.” Lopate notes that in the 1960s, the personal essay began to dominate with writers such as Norman Mailer (reflecting on meeting Jacqueline Kennedy), Susan Sontag (elucidating the concept of “Camp, with “its love of the unnatural: of artifice and exaggeration”), and Joan Didion. Lopate has selected both iconic essays (MLK’s “Letter From Birmingham Jail”) and lesser known pieces by famous writers: James Baldwin, for one, on visiting a Swiss village, where none of the 600 residents had ever seen a Black man: “there was yet no suggestion that I was human: I was simply a living wonder.” Other contributors include E.B. White, John Updike, Rachel Carson, and N. Scott Momaday.

Well-chosen essays on enduring themes.

Pub Date: April 6, 2021

ISBN: 978-0-525-56733-2

Page Count: 544

Publisher: Anchor

Review Posted Online: Jan. 22, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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MARK TWAIN

Essential reading for any Twain buff and student of American literature.

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A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.

It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.

Essential reading for any Twain buff and student of American literature.

Pub Date: May 13, 2025

ISBN: 9780525561729

Page Count: 1200

Publisher: Penguin Press

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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