by Phillip Lopate ‧ RELEASE DATE: April 6, 2021
Well-chosen essays on enduring themes.
A celebration of writing on American culture and politics.
Essayist and anthologist Lopate gathers 38 pieces from 1945 to 1970, a period when essay writing flourished and “the figure of the public intellectual, who would be expected to transmit and explain complex ideas, was in ascension.” James Agee, Leslie Fiedler, Irving Howe, Elizabeth Hardwick, Rachel Carson, Martin Luther King Jr., Edward Hoagland, and Flannery O’Connor are among the writers included, with many essays relevant to our own times. For example, in “The Dilemma of Liberal Democracy” (1947), Walter Lippmann reminded readers that George Washington “believed that the people should rule. But he did not believe that because the people ruled, there would be freedom, justice, and good government.” Washington realized “that there was no guarantee that the rule of the people would not in its turn be despotic, arbitrary, corrupt, unjust, and unwise.” In 1964, Richard Hofstadter identified “the paranoid style” of politics, characterized by “heated exaggeration, suspiciousness, and conspiratorial fantasy” and inflamed by mass media: “The villains of the modern right are much more vivid than those of their paranoid predecessors, much better known to the public; the literature of the paranoid style is by the same token richer and more circumstantial in personal description and personal invective.” Lopate notes that in the 1960s, the personal essay began to dominate with writers such as Norman Mailer (reflecting on meeting Jacqueline Kennedy), Susan Sontag (elucidating the concept of “Camp, with “its love of the unnatural: of artifice and exaggeration”), and Joan Didion. Lopate has selected both iconic essays (MLK’s “Letter From Birmingham Jail”) and lesser known pieces by famous writers: James Baldwin, for one, on visiting a Swiss village, where none of the 600 residents had ever seen a Black man: “there was yet no suggestion that I was human: I was simply a living wonder.” Other contributors include E.B. White, John Updike, Rachel Carson, and N. Scott Momaday.
Well-chosen essays on enduring themes.Pub Date: April 6, 2021
ISBN: 978-0-525-56733-2
Page Count: 544
Publisher: Anchor
Review Posted Online: Jan. 22, 2021
Kirkus Reviews Issue: Feb. 15, 2021
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edited by Phillip Lopate
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edited by Phillip Lopate
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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