AN INSIGNIFICANT CASE

After an unusually bumpy ride, an unprepossessing Portland lawyer comes into his own.

Charlie Webb was a mediocre student who graduated from a third-tier law school and now runs a modest practice. He’s exactly the sort of nothing-burger attorney you’d expect the court to appoint to represent Lawrence Weiss, who calls himself Guido Sabatini and tells everyone he’s the reincarnation of an Italian Renaissance painter. Weiss/Sabatini has been arrested after breaking into Gretchen Hall’s restaurant, La Bella Roma, to steal back the painting he sold her for $500 because he's incensed to hear that it's stashed away in her office instead of hanging in the dining room for everyone to enjoy. Charlie quickly negotiates a deal that will set his client free if he returns the painting. But the case is more complicated than he realizes, for in addition to reclaiming his painting, Weiss, or Sabatini, also opened Gretchen’s safe and helped himself to a thumb drive he thought might be interesting. Since the drive turns out to contain information that links Gretchen to a dastardly series of crimes, the stakes of this insignificant case rise exponentially. And that’s all before a shooting that will force a very unwilling Charlie to defend his first client, who's now charged with murder. Margolin deals out the complications as deftly as a card shark, and if the revelation of the actual culprit, whose identity is the least surprising feature of the story, seems to come unduly early, don’t worry: He has plenty more tricks up his sleeve.

An inventive legal thriller that manages to spend remarkably little time in the courtroom.