A sometimes-stirring space trek tale, with intriguing science and dark matter along the way.
An experienced astronaut and an untested young scientist lead a mission to the solar system’s outer reaches—where a mysterious force interferes with deep-space probes—in this novel.
In the near future, Ed Walker is an abrasive but courageous veteran NASA astronaut who manages—barely—to survive and save his crew from the harrowing end of the glitch-ridden International Space Station. Meanwhile, on the ground, young academic David Holmes is far ahead of his peers in determining that old, outward-bound space probes that reach the rim of the solar system are simply being plucked out of existence by some inexplicable force. Despite the seemingly incompatible personalities and the age gaps of the two men, an Elon Musk-like, internet/free energy billionaire with political connections forces them together to spearhead the government/private sector expedition of the Helios, a revolutionary, antimatter-powered spaceship headed out beyond the planets. The pioneering joint operation is to pave the way for human colonization, away from an Earth wracked by Sino-American wars and Islamic terror attacks toward the promise of other star systems—and perhaps to confront the ominous force that is causing the disappearance of unmanned NASA hardware. Peterson (Paradox 2, 2018, etc.) manages to satisfy (albeit in unequal measures at times) sci-fi fans of both the Arthur C. Clarke cosmic-wow variety and the more techno-minded aerospace yarn-spinners of yesteryear such as Frank G. Slaughter and Martin Caidin with their launchpad melodramas. This series opener’s middle passages sag under earthbound training exercises, plasma physics jargon, and crusty Ed’s bottomless supply of astronaut gossip about Alan Shepard and Sally Ride and his nostalgia for the lost Gemini era, when men were men and had the right stuff. But when the plot finally reaches the unknown void beyond Pluto, the payoff goes into macro-cosmic territory, the stuff of Carl Sagan’s finale to Contact—but far more bitter than that scientist/speculator’s ultimate optimism. Two other crew members, both women, register as lesser blips on the narrative’s radar, and Ed’s estranged, nagging wife fearfully demonstrates why a retirement-age pilot ace would face enigmatic and hostile aliens billions of miles away rather than go on a marital date night. A nonfiction essay-cum-bibliography by Peterson concludes the book.
A sometimes-stirring space trek tale, with intriguing science and dark matter along the way.Pub Date: Sept. 19, 2017
ISBN: 978-1-977974-01-3
Page Count: 446
Publisher: CreateSpace
Review Posted Online: Aug. 3, 2018
Review Program: Kirkus Indie
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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