A sometimes-stirring space trek tale, with intriguing science and dark matter along the way.
An experienced astronaut and an untested young scientist lead a mission to the solar system’s outer reaches—where a mysterious force interferes with deep-space probes—in this novel.
In the near future, Ed Walker is an abrasive but courageous veteran NASA astronaut who manages—barely—to survive and save his crew from the harrowing end of the glitch-ridden International Space Station. Meanwhile, on the ground, young academic David Holmes is far ahead of his peers in determining that old, outward-bound space probes that reach the rim of the solar system are simply being plucked out of existence by some inexplicable force. Despite the seemingly incompatible personalities and the age gaps of the two men, an Elon Musk-like, internet/free energy billionaire with political connections forces them together to spearhead the government/private sector expedition of the Helios, a revolutionary, antimatter-powered spaceship headed out beyond the planets. The pioneering joint operation is to pave the way for human colonization, away from an Earth wracked by Sino-American wars and Islamic terror attacks toward the promise of other star systems—and perhaps to confront the ominous force that is causing the disappearance of unmanned NASA hardware. Peterson (Paradox 2, 2018, etc.) manages to satisfy (albeit in unequal measures at times) sci-fi fans of both the Arthur C. Clarke cosmic-wow variety and the more techno-minded aerospace yarn-spinners of yesteryear such as Frank G. Slaughter and Martin Caidin with their launchpad melodramas. This series opener’s middle passages sag under earthbound training exercises, plasma physics jargon, and crusty Ed’s bottomless supply of astronaut gossip about Alan Shepard and Sally Ride and his nostalgia for the lost Gemini era, when men were men and had the right stuff. But when the plot finally reaches the unknown void beyond Pluto, the payoff goes into macro-cosmic territory, the stuff of Carl Sagan’s finale to Contact—but far more bitter than that scientist/speculator’s ultimate optimism. Two other crew members, both women, register as lesser blips on the narrative’s radar, and Ed’s estranged, nagging wife fearfully demonstrates why a retirement-age pilot ace would face enigmatic and hostile aliens billions of miles away rather than go on a marital date night. A nonfiction essay-cum-bibliography by Peterson concludes the book.
A sometimes-stirring space trek tale, with intriguing science and dark matter along the way.Pub Date: Sept. 19, 2017
ISBN: 978-1-977974-01-3
Page Count: 446
Publisher: CreateSpace
Review Posted Online: Aug. 3, 2018
Review Program: Kirkus Indie
BOOK REVIEW
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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